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  1. How Not to Defend Response Moralism.Aaron Smuts - 2015 - Journal of Aesthetic Education 49 (4):19-38.
    The bulk of the literature on the relationship between art and morality is principally concerned with an aesthetic question: Do moral flaws with works of art constitute aesthetic flaws?1 Much less attention has been paid to the ways in which artworks can be morally flawed. There are at least three promising contenders that concern aesthetic education: Artworks can be morally flawed by endorsing immorality, corrupting audiences, and encouraging responses that are bad to have. When it comes to works of fiction, (...)
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  • Pleasurably Regarding the Pain of Fictional Others.Aaron Smuts - manuscript
    Is it ever bad to take pleasure in the suffering of fictional characters? I think so. I attempt to show when and why. I begin with two powerful objections to my view: (1) engaging with fiction is akin to morally unproblematic autonomous fantasy, and (2) since no one is harmed, it is morally unproblematic. I reply to the objections and defend a Moorean view on the issue: It is intrinsically bad to enjoy evil, actual (past, present, or future) and merely (...)
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  • The feels good theory of pleasure.Aaron Smuts - 2011 - Philosophical Studies 155 (2):241-265.
    Most philosophers since Sidgwick have thought that the various forms of pleasure differ so radically that one cannot find a common, distinctive feeling among them. This is known as the heterogeneity problem. To get around this problem, the motivational theory of pleasure suggests that what makes an experience one of pleasure is our reaction to it, not something internal to the experience. I argue that the motivational theory is wrong, and not only wrong, but backwards. The heterogeneity problem is the (...)
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  • Clearing our Minds for Hedonic Phenomenalism.Lorenzo Buscicchi & Willem van der Deijl - forthcoming - Review of Philosophy and Psychology:1-16.
    What constitutes the nature of pleasure? According to hedonic phenomenalism, pleasant experiences are pleasant in virtue of some phenomenological features. According to hedonic attitudinalism, pleasure involves an attitude—a class of mental states that necessarily have an object. Consequently, pleasures are always _about_ something. We argue that hedonic attitudinalism is not able to accommodate pleasant moods. We first consider this argument more generally, and then consider what we call _the globalist strategy response_ to the possible objectless of moods, namely that pleasant (...)
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