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フェノロサ美術論集

Tokyo: (1988)

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  1. Some Remarks on the Genesis of Central Yogācāra-Vijñānavāda Concepts.Lambert Schmithausen - 2018 - Journal of Indian Philosophy 46 (2):263-281.
    The present paper is a kind of selective summary of my book The Genesis of Yogācāra-Vijñānavāda. [1.–2.] It deals with questions of origin and early development of three basic concepts of this school, viz., the ‘idealist’ thesis that the whole world is mind only or manifestation only, the assumption of a subliminal layer of the mind, and the analysis of phenomena in terms of the “Three Natures”. [3.] It has been asserted that these three basic concepts are logically inseparable and (...)
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  • Who Wrote the Trisvabhāvanirdeśa? Reflections on an Enigmatic Text and Its Place in the History of Buddhist Philosophy.Matthew T. Kapstein - 2018 - Journal of Indian Philosophy 46 (1):1-30.
    In recent decades, scholars of Buddhist philosophy have frequently treated the Trisvabhāvanirdeśa, or “Teaching of the Three Natures,” attributed to Vasubandhu, as an authentic and authoritative representation of that celebrated thinker’s mature work within the Yogācāra tradition. However, serious questions may be posed concerning the status and authority of the TSN within Yogācāra, its true authorship, and the relation of its contents to trends in early Yogācāra thought. In the present article, we review the actual state of our knowledge of (...)
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  • Schutz in japan: A brief history. [REVIEW]Kazuhisa Nishihara - 1992 - Human Studies 15 (1):17 - 34.
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