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  1. Three forms of philosophical theatre in Kierkegaard’s Journals and Notebooks.Stuart Dalton - 2022 - Philosophy and Social Criticism 48 (1):86-127.
    I argue that Kierkegaard’s Journals and Notebooks deserve to be read as works of philosophy and not just used as supplements to bring order and respectability to Kierkegaard’s other writings. There are at least three specific philosophical values in Kierkegaard’s journals – three ways in which the journals create philosophy within their own pages and therefore deserve to be read as independent works of philosophy and not just as supplements to Kierkegaard’s other writing: (1) The journals demonstrate what a true (...)
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  • A drama of love and death: Michael Pedersen Kierkegaard and Regine Olsen revisited.George Pattison - 1990 - History of European Ideas 12 (1):79-91.
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  • Deceptive love: Kierkegaard on mystification and deceiving into the truth.Mark L. McCreary - 2011 - Journal of Religious Ethics 39 (1):25-47.
    This article explains and assesses a particular method of loving others that is espoused by Søren Kierkegaard. In his later works, Kierkegaard advocates a kind of deceptive love whereby one mystifies or deceives another person for that other person's own good. The theological underpinning of this mode of love is found in the imitation of Christ. In other words, just as Jesus adopted an incognito, so also Christians should, at times, appear different or lowlier in order to help others by (...)
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  • (1 other version)Kierkegaard and The Master-Thief Project (1834-1835): The Rebel Outcast and The Established Order.Nassim Bravo - 2020 - Eidos: Revista de Filosofía de la Universidad Del Norte 32:281-308.
    Resumen Entre 1834 y 1835, Kierkegaard, quien todavía era un estudiante de veintiún años en la Universidad de Copenhague, se interesó en la figura mítica y folclórica conocida como el “ladrón maestro”. Decidió entonces trabajar en un drama que girara alrededor de este personaje y su lucha en contra del orden establecido. Con eso en mente, este artículo tiene dos objetivos. El primero consiste en hacer una exposición general del denominado proyecto del ladrón maestro. Las notas de Kierkegaard sobre el (...)
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  • Kierkegaard’s Conception of God.Paul K. Moser & Mark L. McCreary - 2010 - Philosophy Compass 5 (2):127-135.
    Philosophers have often misunderstood Kierkegaard's views on the nature and purposes of God due to a fascination with his earlier, pseudonymous works. We examine many of Kierkegaard's later works with the aim of setting forth an accurate view on this matter. The portrait of God that emerges is a personal and fiercely loving God with whom humans can and should enter into relationship. Far from advocating a fideistic faith or a cognitively unrestrained leap in the dark, we argue that Kierkegaard (...)
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  • Kierkegaard como romántico.María José Binetti - 2009 - Revista de Filosofía (Madrid) 34 (1):119-137.
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  • Beyond existentialist caricatures: New views of Kierkegaard. [REVIEW]Michael Plekon - 1979 - Human Studies 4 (1):87-95.
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  • How to be a Terrible Teacher: Kierkegaard’s Philosophical Fragments on what Education is not.Stuart Dalton - 2018 - Philosophy and Social Criticism 45 (3):241-264.
    I argue for an approach to Philosophical Fragments that allows it to be philosophical and fragmentary, and that pays particular attention to the fragments, or crumbs, that seem least important. One such overlooked crumb is the theory of merely human education in the book—education that does not enlist God as the teacher, where humans simply try to teach and learn from each other. I argue that Philosophical Fragments defends this theory of education with several reductio ad absurdum proofs that are (...)
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  • Kierkegaard y Hegel: Apuntes para su aproximación.Maria Jose Binetti - 2014 - Revista de Filosofia Moderna E Contemporânea 2 (1):15-30.
    A pesar de que el mismo S. Kierkegaard reconoció haber sido hegeliano y que sus propios contemporáneos lo tuvieron por tal, su pensamiento ha pasado a la historia como una de las mayores fuerzas anti-hegelianas. La recepción historiográfica hegemónica asumió acríticamente el modelo de un dualismo existencial-especulativo, que entiende a Kierkegaard como el pensador de la experiencia subjetiva y a Hegel como el aliado de un concepto abstracto y vacío. Las siguientes páginas se proponen contribuir a la rectificación de esta (...)
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