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Greek Dance

Classical Quarterly 23 (2):254-274 (1973)

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  1. The Politics of Dance: Eunomia_ and the Exception of Dionysus in Plato's _Laws.Kenneth W. Yu - 2020 - Classical Quarterly 70 (2):605-619.
    How to inculcate virtue in the citizens of Magnesia by means of the dance component ofchoreiaconstitutes one of the principal concerns in theLaws(=Leg.), revealing Plato's evolving ideas about the expediency of music andpaideiafor the construction of his ideal city since theRepublic. Indeed, a steady stream of monographs and articles on theLawshas enriched our understanding of how Plato theorizes the body as a site of intervention and choral dance as instrumental in solidifying social relations and in conditioning the ethical and political (...)
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  • Eros, Paideia and Arête: The Lesson of Plato’s Symposium.Jason St John Oliver Campbell - unknown
    Commentators of Plato’s Symposium rarely recognize the importance of traditional Greek conceptions of Eros, paideia and arête in understanding Plato’s critique of the various educational models presented in the dialogue. I will show how Plato contests these models by proposing that education should consist of philosophy. On this interpretation, ancient Greek pedagogy culminates in a philosophical education. For this new form of education, the dialogical model supplants the traditional practices of kléos and poetic mimēsis, inextricably bound to archaia paideia and (...)
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