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  1. The Phenomenology of the Body Schema and Contemporary Dance Practice: The Example of “Gaga”.Anna Petronella Foultier - 2021 - Journal of Aesthetics and Phenomenology 8 (1):1-20.
    In recent years, the notion of the body schema has been widely discussed, in particular in fields connecting philosophy, cognitive science, and dance studies, as it seems to have bearing across disciplines in a fruitful way. A main source in this literature is Shaun Gallagher’s distinction between the body schema – the “pre-noetic” conditions of bodily performance – and the body image – the body as intentional object –, another is Merleau-Ponty’s writings on the living body, that Gallagher often draws (...)
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  • Spontaneous movement: an exploration of the concept.Qian Wang & Irena Martínková - 2024 - Journal of the Philosophy of Sport 51 (3):439-459.
    This paper explores what is understood by the phrase ‘spontaneous movement’. We discern five different understandings of spontaneity in the usage of the phrase: 1) spontaneous movement as automatic machine-like mechanistic, 2) spontaneous movement as free, 3) spontaneous movement as primal animateness of the body, 4) spontaneous movement as embodied responsive dealing in the world, 5) spontaneous movement as a force of nature. The first two understandings are rooted in a dualistic view, with the dichotomies of voluntary/involuntary and mind/body in (...)
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