Josh Wilburn examines the relationship between Plato's views on psychology and his political philosophy. Focusing on his reflections on the spirited part of the tripartite soul, or thumos, and spirited motivation, he explores the social and political challenges that occupy Plato throughout his works.

Scholarship onEcclesiazusae(as onWealth) has been largely divided between those who are in favour of a fantastical/positive reading of the play and view it as a celebration of comic energy void of serious social critique, and those who argue for an ironic/satirical interpretation and deem Praxagora's plan as a spectacular failure. The unsuccessful realization of the new political programme is often regarded as a commentary on the state of democracy at the time. Other views are more affirmative of the democratic values (...) of the play: Scholtz claims that the women inEcclesiazusaesucceed into putting into action Lysistrata's dream of a cohesive civic order, although, according to him, the play does not present ‘an unambiguouslyproorcontraviewpoint vis-à-vis gynaecocratic communalism’. Rothwell believes that the satire is directed against the greedydēmosrather than against Praxagora's plan. He sees the persuasion exercised by women as ‘a benevolent and indispensable force in democracy’, and argues that the women ofEcclesiazusae, like the women inLysistrata, strive to assure the continuity of the community; in his view, the play is about ‘the potential advantages of leadership in building a community’. Moodie also outright rejects a threatening or pessimistic reading, and makes the case that the audience is encouraged to take the women seriously as political actors owing to their unusual interaction with the audience and the rupture of dramatic illusion, which creates a rapport between the women and the audience. If the play is subversive, it is so only in its ‘non-satirical presentation of female leadership’. (shrink)

In this article, I analyze the role the household ( oikos) plays in Isocrates through an exegesis of the author's letters to his erstwhile student and current monarch of Salamis of Cyprus, Nicocles. The monarch's household has a threefold role in the relationship between the elite ruler and his subjects. First, as the locus of his ancestors and their achievements, it offers competitors to Nicocles to be surpassed and a known standard for his subjects to judge their ruler. Second, as (...) the source of the monarch's public outlay, the household is a means by which Nicocles can appear magnificent; at the same time, however, he should be wary lest his subjects judge him ostentatious. Third, Nicocles invites his subjects to judge his conjugal behavior, offering it as evidence of his moderation. I conclude my argument with a challenge to an interpretation of the relationship between the few and the many as a contract; rather, this relationship is better characterized through the metaphor of service ( therapeia) drawn from the household. Isocratean political thought treats private and public domains as continuous with one another, regarding participation in political institutions as neither necessary nor sufficient to achieving good political judgment. (shrink)

While it is sometimes thought that free Athenian women were hemmed in by surveillance within the oikos, this article argues that the obstacle that impeded them when they attempted to control property was that they were excluded from the impersonal and formal systems of surveillance of male citizens. Athenian public life, lived in the view of others, dramatically extended the agency of those within it. While women could compensate for their legal incapacities by cultivating the personal trust of men, this (...) required them to treat some of the people closest to them instrumentally, thus transforming their affectionate relationships. (shrink)

L’utilisation de l’outil du genre dans les analyses scientifiques, combiné aux travaux pionniers des années 1980 en histoire des femmes puis à ceux menés depuis les années 2000 dans le cadre des citoyennetés à l’intérieur de l’empire romain, invitent à dresser un bilan de nos connaissances sur la citoyenneté antique. Cette catégorie, formulée a posteriori par les chercheurs contemporains, est essentiellement définie à partir de l’idée que ces mêmes chercheurs se font de la citoyenneté grecque classique (une idée élaborée à (...) partir de documents athéniens). Celle-ci est censée fournir, depuis Aristote, la définition la plus « authentique » de la citoyenneté ou du moins proposer un état d’origine de la citoyenneté moderne. De cette citoyenneté les femmes sont plus ou moins totalement exclues. Des travaux récents invitent aujourd’hui à déconstruire à la fois la notion de « citoyenneté » et celle de « politique », en prêtant davantage attention aux vocables employés par les Grecs, aux effets de traductions transculturelles, à la variété des pratiques collectives et publiques (groupes de familles, cité, peuple, empire) et à l’articulation originale de ce que nous distinguons comme différentes sphères sociales (religion, économie, politique) dans les sociétés antiques. Néanmoins, la presque totale absence de prise en compte des femmes dans ces travaux rend les résultats produits insatisfaisants. C’est la raison pour laquelle le présent article entend faire dialoguer les deux courants historiographiques : celui des femmes et celui du politique. En effet, réintroduire les citoyennes dans la cité a un enjeu : la reconfiguration de notre propre conception de la communauté politique. (shrink)

This paper explores how gender can operate as a disguise for class in an examination of the self-sacrifice of the Maiden in Euripides' Children of Herakles. In Part I, I discuss the role of human sacrifice in terms of its radical potential to transform society and the role of class struggle in Athens. In Part II, I argue that the representation of women was intimately connected with the social and political life of the polis. In a discussion of iconography, the (...) theater industry and audience I argue that female characters became one of the means by which different groups promoted partisan interests based on class and social status. In Part III, I show how the Maiden solicits the competing interests of the theater audience. After discussing the centrality and marginality of the Maiden's character, I draw upon the funeral oration as a comparative model with which to understand the quite different role of self-sacrifice in tragedy. In addition to representing and mystifying the interests of elite, lower class and marginal groups, the play glorifies a subordinate character whose contradictory social status embodies the social position of other “marginal” members of Athenian society. The play stages a model for taking political action to transform the social system and for commemorating the tragic costs of such undertakings. (shrink)

In this paper it is demonstrated how the understanding of resilience is enhanced and shaped when using the concepts of oikos and life-modes. Instead of applying a rather problematic welfare capitalism model, which partially provides a negative social reproduction and production, it is suggested to apply a household/family model. The household/family model outlines that positive social reproduction and production, including real and productive values, potentially creates an essential bond between viable household, family, work, socialisation, and network based communities, resulting in (...) socially, economically, mentally, and ecologically sustainable survival of families and livelihoods over generations. Furthermore, it is stressed that serious fallacies will occur if resilience is solely understood and explained in terms of individual resources and characteristics. Nonetheless, it is recognised that non-cognitive traits such as persistence are important. Offspring is more strongly socialised and positioned in intact and viable families by transmitting and practicing a set of long-term reproduction and production strategies, which compared to upper strata are less common in the lower and middle strata. Thus, resilience is unequal. (shrink)

Greek tragedy shows a serious preoccupation with family concerns. Some of these concerns seem beyond the scope of ordinary family experience, particularly in the matter of the behaviour of women. The apparent discrepancy between historical evidence and the literary presentation of women has long been noted and variously explained. I want to suggest that this discrepancy reflects a way of distinguishing between the objectives and behaviour of the great aristocratic clans and of those families which were neither so wealthy nor (...) so politically influential. A dichotomy is thus presented between dynastic interests and the interests of the ordinary family as a well-regulated part of the Athenian city state. (shrink)

A familiar theme in Greek myth is that of the deadly gift that passes between a man and a woman. Analysis of exchanges between men and women reveals the gendered nature of exchange in ancient Greek mythic thinking. Using the anthropological categories of male and female wealth , it is possible to arrive at an understanding of the protocols of exchange as they relate to men and especially to women. These protocols, which are based in part on the distinction between (...) metals and other durable goods as "male" and textiles as "female," are closely related to the gendered division of labor. Anxiety about women as exchangers derives in part from their status as objects exchanged in marriage , and partly from a misogynist and pessimistic strand of Greek thought that discounts any female economic contribution to the oikos. Indeed, the majority of destructive exchanges take place within the context of marital crisis. While some texts, beginning with the Odyssey, show the positive side of women's economic role, tragedy tends to follow the Hesiodic distrust of women as exchange partners. Passages from the Agamemnon and the Trachiniai are analyzed to show how in situations of perverted reciprocity brought about by marital discord, even women's traditional gifts of textiles may become deadly. (shrink)

Many of Menander's comedies are structured according to a rape plot pattern in which a young Athenian citizen usually rapes and impregnates a female citizen prior to the opening of the play. In most cases, the rape leads to a happy ending: the marriage of the rapist and victim. This casual treatment of rape is striking because in all other respects Menander's plays are not only scrupulously faithful to Athenian law, they also use Athenian legal and social norms as their (...) own generic conventions. Although the rape of a female citizen was a serious oense in Athenian law, potentially punishable with death, and a flagrant violation of the norms of Athenian citizenship, Menandrian comedy never morally or legally problematizes rape. This study considers how the comedies neutralize the potential legal signicance of rape and what this tells us about Athenian law and the ideology of democratic citizenship. It argues that by portraying a neutral form of rape, Menander's comedies implicitly articulate those factors which had the potential to bring "rape" within the purview of Athenian legal discourse. Menandrian Comedy's strategic fidelity to the norms of Athenian citizenship also tells us something about the gender ideology of Athenian democratic citizenship, that is, the ways in which relations between the sexes support and sustain civic relations between men in Athenian political culture and democratic ideology. While Menander's romantic plots uphold the laws of citizen marriage, they do not passively enact the legal constructs. In one common variant of the rape plot, the gendered construction of citizenship embedded in Athenian law is specically conjoined to democratic norms. In this type of play, a wealthy young citizen rapes and eventually marries the daughter of a seemingly poor citizen. By using rape to generate matrimonial unions between the rich and the poor, these plays extend democratic norms into the social arena. The formation of marriages across class lines disrupts the eects of intergenerationality in reproducing social and economic inequalities. (shrink)

Demosthenes' client Euxitheos is attempting to defend his claim to citizenship, and finds himself obliged to counteract the prejudice raised by his opponent Euboulides from the fact that his mother works, and has worked, in menial wage labour. The implication is that no citizen woman would sink so low; therefore, she is no citizen, and so neither is he. His response is defensive: he acknowledges that such labour is a source of prejudice , but argues that people often find themselves (...) obliged to undertake such demeaning work through poverty, which is deserving of the jury's sympathy, and in any case has no bearing on questions of citizenship . He does not challenge the assumptions behind the prejudice, suggesting that he expects the jury to share them, and this might encourage us to extrapolate from the passage to a set of common values held by Athenian citizens, namely that paid work by women is degrading, embarrassing and only acceptable as a temporary expedient under the compulsion of poverty. If we then align these attitudes with the implications elsewhere in the orators that women led lives of seclusion, usually confined indoors and largely separated from the exterior male world, we might be inclined to conclude that the labour of women was also confined to the oikos and almost entirely distinct from the labour of males, not least in having little or no monetary aspect, a point which the usual view of the economic capacity of Athenian women appears to confirm. (shrink)