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Identity Without Selfhood: Simone de Beauvoir and Bisexuality

Cambridge University Press (1999)

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  1. `The Face-Off Between Will and Fate': Artistic Identity and Neurological Style in de Kooning's Late Works.Mariam Fraser - 1998 - Body and Society 4 (4):1-22.
    This article explores representations of the artist Willem de Kooning who, during the last few years of his creative life, produced a large number of paintings at the same time as he was thought to be suffering from Alzheimer's disease. My focus is on the way that these representations mobilize themes which Jane Goodall identifies as belonging to a discourse of anxiety. In a bid to suggest that the artist is uniquely positioned to adapt to the progression of the disease, (...)
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  • The making of the political subject: subjects and territory in the formation of the state.Benjamin de Carvalho - 2016 - Theory and Society 45 (1):57-88.
    The article explores the historicity of political subjecthood, making the case that through a process of subjectification “subjects of the king” gradually became the political subjects of the state. This in turn contributed to reconstitute the state as an abstract notion that nevertheless was real through the allegiance owed to it by its subjects. Addressing the making of subjecthood in relation to state formation helps fill an important lacuna in the literature on state formation, namely the double oversight of subjecthood. (...)
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  • Adventures of Feminism: Simone de Beauvoir's Autobiographies, Women's Liberation, and Self-Fashioning.Ann Curthoys - 2000 - Feminist Review 64 (1):3-18.
    While The Second Sex is usually taken as Simone de Beauvoir's major theoretical contribution to feminism, in the 1960s and 1970s it was very often through her autobiographies – especially Memoirs of a Dutiful Daughter, The Prime of Life, and Force of Circumstance, along with novels such as She Came to Stay and The Mandarins – that her feminist ideas were most thoroughly absorbed. The autobiographies became nothing less than a guide for the fashioning of a new kind of feminine (...)
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