What is the role of cultural archives in creating and sustaining connections between diasporic communities? Through an analysis of an audiovisual archive that has sought to bring together representations of and by African, Caribbean and Asian people, this article discusses the relationship between diasporic film, knowledge production and feminist solidarity. Focusing on a self-curated, UK-based archive, the June Givanni Pan-African Cinema Archive, we explore the potentiality of archives for carving out spaces of diasporic connectivity and resistance. This archive assembles the (...) holdings of pan-African films and film-related materials, built over several decades by June Givanni, a Guyanese-born London-based film curator. Givanni’s archive embodies her long relationship with the intersecting worlds of African and Asian diasporic cinema, which hold deep connections to Black British heritage through global networks spanning across empire. In the making of this cultural analysis, we employ a co-produced, decolonial methodological approach by designing and producing the article in collaboration with Givanni over a two-year period. We aim to foreground the role of feminist labour (academic and practitioner) as agents of change who are reclaiming stories, voices and memory-making. The wider backdrop to this co-produced analysis is the ongoing resilience of a cultural amnesia that has pervaded the Black British experience and the current fragility of Black arts and cultural spaces in the UK. Our question is how might archives help us map the connections between racialised ideas of belonging, memory politics and the reconfiguration of colonial power whilst also operating as a site of feminist connectivity? (shrink)

One of the main contributions of A Feminist Theory of Refusal is its connection of everyday action and prefigurative practices with an explicit commitment to structural change. But how such change happens, and what kind of relations it implies between ‘the city’ (as the existing political community) and feminist heterotopias of refusal, remains unclear. Reading Honig’s work as a prefigurative theory, I argue that it links moments of doing-otherwise with moments of institutional politics, sparking questions about the conditions of a (...) successful return to the city. I then develop these conditions through a case study of the feminist activism of Women on Waves; and argue that feminist refusal can lead to political transformation if it durably connects practices inside and outside the city. (shrink)