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The Walking Muse: Horace on the Theory of Satire

Princeton University Press (2014)

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  1. Fragments of Autobiography in Horace Satires I.Emily Gowers - 2003 - Classical Antiquity 22 (1):55-91.
    Horace's first book of Satires is his poetic debut, and has traditionally been read as a reliable account of the poet's coming of age and arrival in society. Recently, scholars have taken a more skeptical view of the authenticity of this account and have argued that Horace's self-portrait is generically determined, with the author invisible behind a composite of comic stereotypes. Nonetheless, this collection of casual and scattered fragments can, according to a less literal and more flexible definition of autobiography, (...)
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  • Humor and the Good Life in Modern Philosophy: Shaftesbury, Hamann, Kierkegaard.Lydia Amir - 2014 - Albany: State University of New York Press.
    _An exploration of philosophical and religious ideas about humor in modern philosophy and their secular implications._.
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  • An Epicurean “Measure of Wealth” in Horace, Satires 1.1.Sergio Yona - 2018 - Classical Antiquity 37 (2):351-378.
    The following study draws evidence from the fragmentary treatises of Philodemus of Gadara in order to explore the moral content of Satires 1.1 with respect to wealth administration. I provide a reading of this poem that underscores Horace's effective synthesis of Greek thought and Roman culture, which is made possible by the influence of contemporary philosophical treatments that were tailored to fit the concerns of wealthy Romans. Furthermore, I offer an alternative to the many references previous scholars have made to (...)
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  • Traces of a Freed Language: Horace, Petronius, and the Rhetoric of Fable.Ilaria Marchesi - 2005 - Classical Antiquity 24 (2):307-330.
    This paper investigates the status that the genre of fable acquires when it is employed in literature. In particular, it surveys Horace's treatment of fables in the Satires and Epistles and the carefully controlled circumstances in which zoomorphic language is allowed to emerge during the banquet at Trimalchio's in Petronius' Satyrica. The analysis of the distribution of fables in Horace shows that for the Roman literary public the act of speaking through fables bore in itself a negative connotation, so much (...)
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