The aim of the paper is to discuss the idea of dialogue with nature. Even though the idea of dialogue with animals, plants – even objects of inanimate nature – is well known, it has usually been treated as an expression of a naive or folk view. Yet, it has recently gained in importance as an idea that is used to describe an ecological approach to natural environment and tends to be treated as a foundation for an ecological culture. A (...) noteworthy contribution to the reconsideration of the concept of human-nature dialogue has also been given by a number of contemporary philosophers who have offered an environmental reinterpretation of phenomenology and hermeneutics based on, among other things, Martin Buber’s concept of the I-You relationship. The paper will focus on two aspects of the concept of dialogue, namely on its epistemological and ethical implications. Following Erazim Kohák’s theory, which will be presented as a key figure of a particular manner of speaking about nature, one that leads to ecological personalism. (shrink)

This paper argues that the gesture of being silent —or “subjective silence”— can be described as a specific modulation of attention, in which consciousness gains awareness of a specific realm of experience where the body appears as a transcendental dimension of the self. Taking Dauenhauer’s typology as a point of departure, I will describe what I understand with the expressions “subjective silence” –and “the gesture of being silent”– and try to show its specific relation to “attention,” according to Husserl’s description (...) of it. Second, that the noematic field of this “subjective silence” is the realm of the pre-predicative, since it allows consciousness to maintain a certain intentional tension that does not focus on any categorial object. Finally, I will try to show that in this realm of the pre-predicative, the body appears as an immanent dimension of consciousness and, therefore, not as a mere object but as a transcendental instance of the self. (shrink)

The essays assembled in Anthony Weston's The Incompleat Eco-Philosopher, more than anything else, convey a provocative message about method in environmental philosophy. This message includes numero...

In lieu of an abstract, here is a brief excerpt of the content:Ethics & the Environment 8.2 (2003) 8-30 [Access article in PDF] Dialogue, Responsibility, and Oil and Gas Leasing on Montana's Rocky Mountain Front Scott Friskics "How does nature speak to our concern? That is the question" (Bugbee 1978, 11). It's a late afternoon in mid-March and I'm standing outside my friends' house on the southwest edge of Augusta, Montana, a small town of about 500 residents. I'm here to (...) meet a companion who's headed out from Great Falls to spend the weekend at my cabin, which is located up in the mountains approximately 20 miles west of here. As is often the case, I'm a bit early for our rendezvous. Blame it on unbridled anticipation or a latent preoccupation with punctuality, but my premature arrival offers me a few stolen moments of enforced inactivity with which I can revel in the sensory fullness of a pleasant, pre-spring afternoon.Out here on the plains, spring seems much nearer at hand than it does back up in the mountains. The air's still cool and the wind still bites, but the warm afternoon sun embraces me and unlocks a host of smells long-held in winter's freeze: earthy mud puddles, sweet horse manure, damp hay. [End Page 8]While waiting, I wander over to the nearby corral to greet three gentle, mud-splattered horses. As I absently rub their chins and stroke their long, slender noses, I gaze out beyond the horses, out beyond the soupy corral, beyond the expanse of wrinkled, sere, brown plains. My eyes focus on the blue-shadowed wall of mountains from which I've just emerged: Montana's Rocky Mountain Front. From this vantage point, the Front presents itself as a horizon-filling tidal wave of rock—fluid, walking mountains that, over the course of their long march through time, have been thrust skyward and pushed eastward to where their easternmost reefs and ridges now hang precipitously over the wide expanse of the northern Great Plains.Dead center in my line of vision stands the tilted summit of Crown Mountain—the univocal, eloquent peak that towers about the narrow mountain valley where I live, provides me with the ultimate spatial reference point for my life, and fills my days with the gracious bounty of its abiding presence. From here, however, Crown Mountain presents itself to me not so much as a soloist, but rather as one voice in a chorus of mountain song. Working southward from this orienting center, I encounter Crown Mountain's nameless twin and the rocky ridge line descending to Welcome Pass, above the notch of which rises the deceptively unassuming head of the Scapegoat Massif. Much nearer at hand and dominating the foreground stands the dark cone of Haystack Butte—an intrusive igneous island in a sea of sedimentary mountains. Further south runs the high ridge guarding the headwaters of the Dearborn River, with Steamboat Mountain rising above the rugged country drained by Elk Creek, Blubber Creek, Falls Creek, Cuniff Creek.Working northward from the crown, the mountains are no less spectacular, no less evocative: the slanting summit of Fairview Mountain, the jagged gray wall of Sawtooth Ridge, the low gap of Sun Canyon (where the united Sun River flows out onto the plains and benches of central Montana), the flattened rock face of Castle Reef, and, framing the northern edge of my vista, the rising bulk of Ear Mountain. Of course, standing here in Augusta I'm well aware that what I can see from this spot is less than half of the Front, so my imagination continues north to Blackleaf Canyon, the Birch Creek country, the Badger-Two Medicine, the east slopes of Glacier National Park, and that holy border sentinel, Chief Mountain.I first saw this glorious stretch of country on a blustery November day 16 years ago, and I have yet to encounter another place that speaks to me with such force and beauty, such overwhelming, undeniable eloquence. [End Page 9] And, on this soul-stirring March afternoon, the... (shrink)