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  1. Sometimes I Hear Life Going: On the Remoteness from Life in Modernity.Jordi Cabos - 2016 - Critical Horizons 17 (3-4):324-337.
    Modernity seems to bring a type of relationship with life whereby life appears to be distant. Individuals may mitigate this distance by attaining a meaningful life, but this requires time, decisions and a purpose. In the late modern context, these dimensions – time, decisions and vital purposes – appear to be shaped in a way that further increases this remoteness. This paper analyses how the narratives associated with these three dimensions foster a way of understanding them that restricts the relationship (...)
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  • Intimacy as freedom: Friendship, gender and everyday life.Harry Blatterer - 2016 - Thesis Eleven 132 (1):62-76.
    Friendship arguably offers itself as the freest of all human associations. A weakness of cultural prescription opens a terrain in which intimacy can be lived in a trust relationship that personifies equality, justice and respect. Friendship’s ‘relational freedom’ enables the mutual development of selves; it is generative. Therein lies ‘the beauty of friendship’, as Agnes Heller has reminded us. But the freedom of intimacy is limited. Embedded in a society that attributes different repertoires of intimacy to women and men and (...)
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  • Aura, Armour and the Body.Keith Tester - 1998 - Body and Society 4 (1):17-34.
    This article identifies the emergence of the problematic of the body as a consequence of the forces of technology and bureaucracy which have run through the 20th century. It explores the hypothesis that the problem of the body has emerged out of the wreckage of the aura of the individual. It is proposed that aura was destroyed in the First World War, but it is also shown that for Benjamin anticipations of the destruction can be found in the technologies of (...)
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  • Repetition and difference: Lefebvre, le corbusier and modernity's (im)moral landscape.Mick Smith - 2001 - Ethics, Place and Environment 4 (1):31 – 44.
    If, as Lefebvre argues, every society produces its own social space, then modernity might be characterized by that (anti-)social and instrumental space epitomized and idealized in Le Corbusier's writings. This repetitively patterned space consumes and regulates the differences between places and people; it encapsulates a normalizing morality that seeks to reduce all differences to an economic order of the Same. Lefebvre's dialectical conceptualization of 'difference' can both help explain the operation of this (im)moral landscape and offer the possibility of alternative (...)
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  • The Elusory Body and Social Constructionist Theory.Alan Radley - 1995 - Body and Society 1 (2):3-23.
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  • The ten modernisms.Lawrence E. Cahoone - 1993 - Journal of Social Philosophy 24 (3):194-214.
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  • A Mannheim for All Seasons: Bloor, Merton, and the Roots of the Sociology of Scientific Knowledge.David Kaiser - 1998 - Science in Context 11 (1):51-87.
    The ArgumentDavid Bloor often wrote that Karl Mannheim had “stopped short” in his sociology of knowledge, lacking the nerve to consider the natural sciences sociologically. While this assessment runs counter to Mannheim's own work, which responded in quite specific ways both to an encroaching “modernity” and a looming fascism, Bloor's depiction becomes clearer when considered in the light of his principal introduction to Mannheim's work — a series of essays by Robert Merton. Bloor's reading and appropriation of Mannheim emerged from (...)
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  • A walk on the wild side: Urban ethnography meets the Fl'neur.Chris Jenks & Tiago Neves - 2000 - Cultural Values 4 (1):1-17.
    This paper focuses on the concept of the flâneur, deriving largely from the works of Baudelaire and Walter Benjamin, and attempts to reveal its contemporary relevance for sociological practice. The flâneur is treated as an instructive metaphor for the sociologist's relationship with modernity and urban life, and therefore as providing insight into the social, historical and theoretical contexts for the analysis of the world today. More than this, the idea of the flâneur is treated as highly instructive of research strategies (...)
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  • Eternal, Transcendent, and Divine: Walter Benjamin’s Theory of Youth.Yotam Hotam - 2019 - Sophia 58 (2):175-195.
    Between 1910 and 1917, Walter Benjamin composed a range of philosophical works and fragmented texts all of which touch upon the concept of youth and its intersection with issues of modernity and theology, faith and political action, religion and secularization, God, and the world. Yet, while scholars have rather extensively discussed Benjamin’s early works on language, literature, and esthetics, less attention has been given to his work on youth. This paper focuses on Benjamin’s writings on youth from these early years. (...)
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  • The Muting of the Other: The Technological Reconfiguration of Our Auditory Experience of Others.Ivan Gutierrez - 2021 - Open Philosophy 4 (1):179-189.
    Increasingly privatized auditory spaces resulting from the mutual engendering of auditory cultural practices and sound technologies that separated the sense of hearing and segmented acoustic spaces have had a muting effect on our experience of Others that has intensified since the advent of mobile listening devices. In Section 1 of the article, I outline features of the social realm of the nineteenth to twentieth centuries that made modern sound technologies possible and then features of the technological realm that have shaped (...)
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  • Marxism and the convergence of utopia and the everyday.Michael E. Gardiner - 2006 - History of the Human Sciences 19 (3):1-32.
    The relationship of Marxist thought to the phenomena of everyday life and utopia, both separately and in terms of their intersection, is a complex and often ambiguous one. In this article, I seek to trace some of the theoretical filiations of a critical Marxist approach to their convergence (as stemming mainly from a Central European tradition), in order to tease out some of the more significant ambivalences and semantic shifts involved in its theorization. This lineage originates in the work of (...)
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