- Adorno's "Culture Industry" Theory and its Relation to Contemporary Iranian Music.Golmehr Mahini & Mohammad Raayat Jahromi - 2021 - Journal of Philosophical Investigations 15 (37):495-521.details
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Works, recordings, performances : classical, rock, jazz.Andrew Kania - 2008 - In Mine Doğantan (ed.), Recorded music: philosophical and critical reflections. London: Middlesex University Press.details
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A critical chronotopic approach to lyrics of top-ranking popular songs in the UK.Zied Tlili - 2016 - Critical Discourse Studies 13 (2):228-246.details
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(1 other version)80,000,000 HOOLIGANS: Discourse of resistance to racism and xenophobia in German punk lyrics 1991–1994.Melani Schröter - 2015 - Critical Discourse Studies 12 (4):398-425.details
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Discourses of unity and purpose in the sounds of fascist music: a multimodal approach.David Machin & John E. Richardson - 2012 - Critical Discourse Studies 9 (4):329-345.details
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Talk about Pop Muzik: Discussion of Enrico Terrone, ‘Listening to Other Minds: A Phenomenology of Pop Songs’, BJA 60 (2020), 435–453.Nicholas Wiltsher - 2021 - British Journal of Aesthetics 61 (4):471-483.details
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Hip hop feminism in Sweden: Intersectionality, feminist critique and female masculinity.Kalle Berggren - 2014 - European Journal of Women's Studies 21 (3):233-250.details
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Is Stand‐Up Comedy Art?Ian Brodie - 2020 - Journal of Aesthetics and Art Criticism 78 (4):401-418.details
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Breaking the Silence: Music's Role in Political Thought and Action.John Street - 2007 - Critical Review of International Social and Political Philosophy 10 (3):321-337.details
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(3 other versions)“Singing for Our Lives”: Women's Music and Democratic Politics.Nancy Sue Love - 2002 - Hypatia 17 (4):71-94.details
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Religiosity versus Spirituality in the Contemporary Nigerian Gospel Music.Floribert Patrick Calvain Endong - 2016 - Human and Social Studies 5 (2):116-132.details
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(3 other versions)“Singing for Our Lives”: Women's Music and Democratic Politics.Nancy Sue Love - 2002 - Hypatia 17 (4):71-94.details
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Invisible republics and secret histories: A politics of music.John Street - 2000 - Cultural Values 4 (3):298-313.details
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“Our Ears Lived Their Own Lives”. The Auditory Experience in Breslau Autobiographical Literature during the ‘Third Reich’.Annelies Augustyns - 2020 - Avant: Trends in Interdisciplinary Studies 11 (3).details
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Groundless beauty: feminism and the aesthetics of uncertainty.Janet Wolff - 2006 - Feminist Theory 7 (2):143-158.details
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The Path of Culture: From the Refined to the High, from the Popular to Mass Culture.György Markus - 2013 - Critical Horizons 14 (2):127-155.details
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Managing Authenticity: Mission Impossible?Nick Wilson - 2014 - Journal of Critical Realism 13 (3):286-303.details
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(3 other versions)“Singing for Our Lives”: Women's Music and Democratic Politics.Nancy Sue Love - 2002 - Hypatia 17 (4):71-94.details
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Songs for the Ego: Theorizing Musical Self-Enhancement.Paul Elvers - 2016 - Frontiers in Psychology 7.details
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