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  1. Lucretius’ Use of the Name Iphianassa ( De Rervm Natvra 1.85).Robert Brown - 2019 - Classical Quarterly 69 (2):715-724.
    The name Iphianassa occurs only once in Latin literature—in the proem toDe Rerum Natura(=DRN). Here Lucretius illustrates the evils of religion with a description of Iphianassa's sacrifice at Aulis (1.80–101):illud in his rebus uereor, ne forte rearisimpia te rationis inire elementa uiamqueindugredi sceleris. quod contra saepius illareligio peperit scelerosa atque impia facta.Aulide quo pacto Triuiai uirginis aramIphianassai turparunt sanguine foedeductores Danaum delecti, prima uirorum.cui simul infula uirgineos circumdata comptusex utraque pari malarum parte profusast,et maestum simul ante aras adstare parentemsensit et (...)
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  • Lucretius, 4.420–25.Michael Dyson - 1995 - Classical Quarterly 45 (01):253-.
    This passage occurs in a series of examples of optical illusions which Lucretius provides in order to illustrate the way in which the mind can misinterpret the evidence of the senses. There are no manuscript variations relevant to the problem which I wish to discuss. The situation envisaged is that in fording a swift river, a horse has come to a halt in mid-stream. ‘We’, that is, the rider, look down into the rushing water and get the impression that our (...)
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  • Homerus sceptra potitus (Lucr. 3,1037–1038). De rerum natura als Hinführung zur Homerlektüre?Dorothea Weber - 2022 - Philologus: Zeitschrift für Antike Literatur Und Ihre Rezeption 166 (1):22-44.
    De rerum natura displays a particular closeness to the Homeric epics on various levels: in language, in arguments, and in the selection of examples. This closeness clearly goes beyond similarities arising from the affinity as determined by genre. Further, a couple of passages are veritable translations from the Iliad resp. the Odyssey. There, the attitude towards the pretext becomes especially clear. It ranges from acknowledgement to rejection and in some instances is brought about through the use of allegory. This attitude (...)
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