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  1. “New Mestizas,” “World'Travelers,” and “Dasein”: Phenomenology and the Multi-Voiced, Multi-Cultural Self.Mariana Ortega - 2001 - Hypatia 16 (3):1-29.
    The aim of this essay is to carry out an analysis of the multi-voiced, multi-cultural self discussed by Latina feminists in light of a Heideggerian phenomenological account of persons or “Existential Analytic.” In so doing, it points out similarities as well as differences between the Heideggerian description of the self and Latina feminists' phenomenological accounts of self, and critically assesses María Lugones's important notion of “world-traveling.” In the end, the essay defends the view of a “multiplicitous” self which takes insights (...)
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  • “New Mestizas,” “World'Travelers,” and “Dasein”: Phenomenology and the Multi-Voiced, Multi-Cultural Self.Mariana Ortega - 2001 - Hypatia 16 (3):1-29.
    The aim of this essay is to carry out an analysis of the multi-voiced, multi-cultural self discussed by Latina feminists in light of a Heideggerian phenomenological account of persons or "Existential Analytic." In so doing, it points out similarities as well as differences between the Heideggerian description of the self and Latina feminists' phenomenological accounts of self, and critically assesses María Lugones's important notion of "world-traveling." In the end, the essay defends the view of a "multiplicitous" self which takes insights (...)
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  • “New Mestizas,” “World'Travelers,” and “Dasein”: Phenomenology and the Multi-Voiced, Multi-Cultural Self.Mariana Ortega - 2001 - Hypatia 16 (3):1 - 29.
    The aim of this essay is to carry out an analysis of the multi-voiced, multi-cultural self discussed by Latina feminists in light of a Heideggerian phenomenological account of persons or "Existential Analytic." In so doing, it (a) points out similarities as well as differences between the Heideggerian description of the self and Latina feminists' phenomenological accounts of self, and (b) critically assesses María Lugones's important notion of "world-traveling." In the end, the essay defends the view of a "multiplicitous" self which (...)
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