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  1. Synchronization and Coordination of Art Performances in Highly Competitive Contexts: Battle Scenes of Expert Breakdancers.Daichi Shimizu & Takeshi Okada - 2021 - Frontiers in Psychology 12.
    In the performing arts, such as music and dance performances, people actively interact with each other and show their exciting performances. Some studies have proposed that this interaction is a social origin of the performing arts. Some have further investigated this phenomenon based on the synchronization and coordination theory. Though the majority of these studies have focused on the collaborative context, several genres of the performing arts, such as jazz sessions and breakdance battles, have a competitive context. Several studies have (...)
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  • Who's Leading This Dance?: Theorizing Automatic and Strategic Synchrony in Human-Exoskeleton Interactions.Gavin Lawrence Kirkwood, Christopher D. Otmar & Mohemmad Hansia - 2021 - Frontiers in Psychology 12:624108.
    Wearable robots are an emerging form of technology that allow organizations to combine the strength, precision, and performance of machines with the flexibility, intelligence, and problem-solving abilities of human wearers. Active exoskeletons are a type of wearable robot that gives wearers the ability to effortlessly lift up to 200 lbs., as well as perform other types of physically demanding tasks that would be too strenuous for most humans. Synchronization between exoskeleton suits and wearers is one of the most challenging requirements (...)
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  • Interpersonal Coordination: Methods, Achievements, and Challenges.Carlos Cornejo, Zamara Cuadros, Ricardo Morales & Javiera Paredes - 2017 - Frontiers in Psychology 8.
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  • Beyond Stereotypes: Analyzing Gender and Cultural Differences in Nonverbal Rapport.Gary Bente, Eric Novotny, Daniel Roth & Ahmad Al-Issa - 2020 - Frontiers in Psychology 11.
    The current paper addresses two methodological problems pertinent to the analysis of observer studies in nonverbal rapport and beyond. These problems concern: the production of standardized stimulus materials that allow for unbiased observer ratings and the objective measurement of nonverbal behaviors to identify the dyadic patterns underlying the observer impressions. We suggest motion capture and character animation as possible solutions to these problems and exemplarily apply the novel methodology to the study of gender and cultural differences in nonverbal rapport. We (...)
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