This article explicates the meaning of the paradox from the perspective of sexual difference, as articulated by Simone de Beauvoir. I claim that the self, the other, and their becoming are sexed in Beauvoir’s early literary writing before the question of sexual difference is posed in The Second Sex (1949). In particular, Beauvoir’s description of Françoise’s subjective becoming in the novel She Came to Stay (1943) anticipates her later systematic description of ‘the woman in love’. In addition, I argue that (...) the different existential types appearing at the end of The Second Sex (the narcissist, the woman in love, the mystic, and the independent woman) are variations of a specific feminine, historically changing paradox of subjectivity. According to this paradox, women, in a different mode than men, must become what they ontologically “are”: beings of change and self-transcendence that have to realise the human condition in their concrete, singular lives. My interpretation draws on Kierkegaardian philosophy of existence, phenomenology, and early psychoanalysis. (shrink)

Los ensayos aquí reunidos buscan ampliar el marco teórico de los estudios sobre Simone de Beauvoir en lengua castellana. Además, tienen como propósito fundamental ofrecer a sus posibles lectores algunas ideas para pensar problemas diversos en contextos muy específicos. Algunos de estos trabajos simplemente quieren acercar una mirada general sobre la figura de Beauvoir y sus principales preocupaciones teóricas, otros se sumergen en campos novedosos donde el análisis conceptual busca dar respuesta a problemas urgentes en medio de preocupaciones académicas. Esperamos (...) que la recepción de esta contribución pueda aportar de manera rigurosa a las exploraciones de quienes encuentran en Beauvoir una fuente de comprensión para elaborar sus propias inquietudes. (shrink)

In The Second Sex, Simone de Beauvoir diagnoses “woman” as the “lost sex,” torn between her individual autonomy and her “feminine destiny.” Becoming a “real woman” in patriarchal societies demands that women lose their authentic, autonomous selves to become the “inessential Other” for Man. To better understand this diagnosis and how women might refind themselves, I rehabilitate the influence of Søren Kierkegaard and his concept of repetition as what must be lost to be found again in Beauvoir’s account of freedom (...) and, specifically, the liberation of women. Beauvoir offers a dual account of repetition, that of mundane repetition and sacrificial repetition, bringing them to bear both on her diagnosis of women’s oppression and her theorization of our liberation. Sacrificial repetition becomes a temporality for freedom—one must be able to repeat or retake their autonomy continuously toward an open future. For this to happen concretely, Beauvoir insists that we must sacrifice the (racist, classist) patriarchal ideals of the “real woman” and “real man” as we retake our autonomy and reconfigure the meaning of sex difference anew. (shrink)

This paper examines Simone de Beauvoir's account of marriage in The Second Sex and argues that Beauvoir's dichotomy between transcendence and immanence can provide an illuminating critique of continuing gender inequities in marriage and divisions of domestic work. Beauvoir's existentialist ethics not only establishes a moral wrong in marriages in which wives perform the second shift of household labor but also supports the need to transform existing normative expectations surrounding wives and domestic work.

: This paper examines Simone de Beauvoir's account of marriage in The Second Sex and argues that Beauvoir's dichotomy between transcendence and immanence can provide an illuminating critique of continuing gender inequities in marriage and divisions of domestic work. Beauvoir's existentialist ethics not only establishes a moral wrong in marriages in which wives perform the second shift of household labor but also supports the need to transform existing normative expectations surrounding wives and domestic work.

: This article examines how some of Simone de Beauvoir's ethical notions about the Self-Other relation explored in her theoretical philosophy of the 1940s were developed in her subsequent autobiography. It argues that Beauvoir represents reciprocal alter-ity in these autobiographical texts through a testimonial engagement with autobiography conceptualized as an act of bearing witness for the Other, through the privileging of various interlocutors and privileged others with whom "the real" is experienced and through a negotiation with the reader. The article (...) also explores the wider question of how Beauvoir's engagement with autobiography might constitute a mode of ethical engagement with the Other. (shrink)

For many years poststructuralist feminists have denounced Simone de Beauvoir as a `universal humanist' who denies sexual difference and inscribes woman in a masculine discourse. Returning to the original exchanges between de Beauvoir and the French feminists of difference, where this dismissive attitude began, it is seen that de Beauvoir circulates in their discourse as representative of a bygone eraan embodiment of all that has been surpassed. Their criticisms of de Beauvoir prove for the most part, glib and disingenuous and (...) not grounded in a careful reading of The Second Sex. In this article the author defends de Beauvoir from their charges of universalism, phallocentrism and being a dupe of Sartre. Her particular form of universal humanism is not `indifferent to difference', but produces historically and socially nuanced insights. De Beauvoir does not valorize a Sartrean rational masculine subject as a model for feminist struggles, rather she theorizes an embodied, relational, situated subject. Furthermore, her theory of Otherness is able to accommodate the psychic register of subjectivity without psychologizing the socioeconomic or political world, a shortcoming of her French poststructuralist opponents. (shrink)

This essay, using works by Maurice Merleau-Ponty, Hazel Barnes, and Elizabeth Fallaize, documents the correspondence between the philosophical content of Beauvoir's She Came to Stay and Sartre's Being and Nothingness (both originally published in 1943). After reviewing the existential/phenomenological philosophical method, this paper examines the two philosophers' letters and diaries to show that Beauvoir wrote her book before Sartre wrote his and that the distinctive ideas and arguments the two works share originated with Beauvoir.

This article examines how some of Simone de Beauvoir's ethical notions about the Self-Other relation explored in her theoretical philosophy of the 1940s were developed in her subsequent autobiography. It argues that Beauvoir represents reciprocal alterity in these autobiographical texts through a testimonial engagement with autobiography conceptualized as an act of bearing witness for the Other, through the privileging of various interlocutors and privileged others with whom “the real” is experienced and through a negotiation with the reader. The article also (...) explores the wider question of how Beauvoir's engagement with autobiography might constitute a mode of ethical engagement with the Other. (shrink)

In discussing Simone de Beauvoir’s ontological ethics in an earlier article in this journal, the author suggested in passing that she could be seen as a ‘philosopher manqué’, a ‘lost’ or ‘missed’ philosopher, a woman who gave up or rejected philosophy to pursue ideas by better means for her purposes. Here the author explores the idea of de Beauvoir as a philosopher manqué in relation to her play Les Bouches inutiles, using a translation-in-progress into English, The Useless Mouths, to examine (...) ideas about morality, ethics and intersubjectivity expressed within it. De Beauvoir constructs characters around different philosophical positions, which are evaluated by reference to the play’s unfolding action. This turns on men’s hidden evaluation of the category of women as, by definition, ‘the useless mouths’ of society, an evaluation revealed by strategies for survival in the in extremis situation of a town under siege. (shrink)