The article starts from an examination of the authorship of the ‘Geleitwort’, the programmatic statement which appeared in the Archiv für Sozialwissenschaft when it came under new editors in 1904. Recently scholars have begun to view it as an important text by Max Weber recovered from obscurity, but this is a mistake. Examination of major contemporary works by Weber and Werner Sombart – the obvious co-author – as well as the first public disclosure of an entirely new MS. by Weber, (...) show that in all probability the text was drafted by Sombart and then revised fairly lightly by Weber. This story of a combined, if unequal, authorship leads into two broader seams of intellectual history: the relationship between Weber and Sombart, and the history of the Archiv as a journal. An unusual starting point thus casts fresh and unexpected light on some of the most central figures and episodes in German social science at the beginning of the 20th century, not least Weber's seminal essay on “Objectivity” in social science. ☆ This paper relies on intellectual interchange and the generosity of colleagues to a quite unusual degree. I note three particular debts: to Prof. Friedrich Lenger, for a copy of Sombart's important 1897 essay on ‘Social Scientific Journals’; to Prof. Guenther Roth for letter transcripts bearing on the Archiv from and to Edgar Jaffé, and for showing me in draft his ground-breaking work ‘Edgar Jaffé and Else von Richthofen: a biographical essay based on the family archive of Christopher Jeffrey’ [hereafter ‘Biographical Essay]; and to Dr. Edith Hanke and Prof. Rainer Lepsius (on behalf of the Max Weber Gesamtausgabe). Dr. Hanke brought to my notice the existence of the MS. which I have called Weber's draft Editorial Notice (see §.IV below), and Prof. Lepsius then gave permission for me to see and to cite from this document. — Some abbreviations: AfSS for Archiv für Sozialwissenschaft und Sozialpolitik; AfGS for Archiv für Soziale Gesetzgebung und Statistik; Lebensbild for Marianne Weber, Max Weber. Ein Lebensbild [1926] (Tübingen, 1989); MWG for Max Weber Gesamtausgabe ed. Horst Baier et al. (Tübingen, 1984-). Letters by Weber within the MWG are cited as Briefe; ‘Nachlaß Max Weber’ for unpublished letters in the Geheimes Staatsarchiv Preußischer Kulturbesitz, VI. HA Nachlaß Max Weber. (shrink)

The purpose of this article is to map the so-called predialogical level of Martin Buber’s thinking. In Daniel Buber appears as a romantic culture critic. What is discussed in the book about realization is not dialogues in Buber’s style – rather in the style of Plato, but they are not didactic discussions – they are filled with feeling and spirit and a cosmic home-sickness. The conversations take place in a romantic landscape, a dream-like meadow when twilight sets in. Realization and (...) meaning are topics in Daniel that come back in later writings. In his “Geleitwort” to the collection Die Gesellschaft Buber defines sociology as “the science of the inter-human forms”. These forms are later built into overall cosmic connections. (shrink)