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Body schema and intentionality

In José Luis Bermúdez, Anthony Marcel & Naomi Eilan (eds.), The Body and the Self. MIT Press. pp. 225--244 (1995)

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  1. From the Body Image to the Body Schema, From the Proximal to the Distal: Embodied Musical Activity Toward Learning Instrumental Musical Skills.Jin Hyun Kim - 2020 - Frontiers in Psychology 11.
    A recent paradigm shift in music research has allowed scholars to examine the macro- and micro-processes taking place within musical performance and underlying cognitive processes. Tying in with phenomenological theories of embodied perception and cognition, this paper focuses on bodily musical activity relevant to the acquisition of instrumental musical skills—the process of learning music. Dynamic interaction with musical instruments, accompanied by the interplay of action and passion, involves body image and body schema, whose status oscillates in different phases of the (...)
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  • (1 other version)Złożona jaźń: Perspektywy empiryczne i teoretyczne.Dan Zahavi - 2011 - Avant: Trends in Interdisciplinary Studies 2 (T):59-75.
    [The Complex Self: Empirical and theoretical perspectives] I have throughout this paper emphasized the complexity of the self. This complexity necessitates interdisciplinary collaboration; collaboration across the divide between theoretical analysis and empirical investigation. To think that a single discipline, be it philosophy or neuroscience, should have a monopoly on the investigation of self is merely an expression of both arrogance and ignorance.
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  • Ghost buster: The reality of one's own body.Frédérique De Vignemont - unknown
    What are the epistemic bases of the knowledge of the reality of our own body? Proprioception plays a primordial role in body representation and more particularly at the level of body schema. Without proprioception people can feel amputated and the mislocalization of proprioceptive information through the remapping of the Penfield Homonculus induces illusions of phantom limbs, illusions that contradictory visual feedback cannot erase. However, it turns out that it is not as simple as that and that vision also intervenes in (...)
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  • I Am Not My Body, This Is Not My Body.Yochai Ataria - 2016 - Human Studies 39 (2):217-229.
    This paper suggests that during severe and prolonged traumatic experiences such as trauma type II, one may develop disownership toward the entire body. In this situation one’s body becomes a pure object and as such an integral part of the hostile environment. This article applies Merleau-Ponty’s approach to perception in order to improve our understanding of this process.
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  • Vectorial versus configural encoding ofbody space.Jacques Paillard - 2005 - In Helena de Preester & Veroniek Knockaert (eds.), Body image and body schema. John Benjamins. pp. 62--89.
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  • The habit of massively multiplayer online role-playing games (MMORPGs): A phenomenological analysis of bodily self-perception in gaming addiction.Marsia Santa Barbera & Willem Ferdinand Geradus Haselager - 2020 - Rivista Internazionale di Filosofia e Psicologia 11 (2):190-210.
    : We investigate the role played by bodily self-perception and social self-presentation in addiction to massively multiplayer online role-playing games. In this paper we will develop the hypothesis that, at least in some cases, the habit of role-playing can be interpreted as a response to gamers’ need to explore a different bodily self-identity. Players tend to become deeply involved in this kind of game, especially in the character identity creation process. Participants might see and seek reflections of their desired selves (...)
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  • Filosofia do corpo e inventário da dor: elementos para uma fenomenologia da experiência do membro‑fantasma.Luís António Umbelino - 2017 - Revista Filosófica de Coimbra 26 (51):137-162.
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  • Towards a phenomenology of dyslexia.Matthew John Irvine Philpott - unknown
    In this thesis I apply Merleau-Ponty's brand of existential phenomenology to the developmental language disorder 'dyslexia'. Developmental dyslexia is marked by an unexpected failure to acquire written language skills, in particularly reading, spelling and aspects of writing, and has primarily been studied by experimental cognitive psychology, physiology, and more recently, the neurosciences. The current explanatory paradigm holds the view that symptoms of dyslexia are caused by deficits in phonological skills, in particularly verbal memory and phoneme awareness. As a means of (...)
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  • Being Somewhere. Egocentic spatial representation as self-representation.Ferdinand Pöhlmann - 2017 - Stuttgart: J.B. Metzler.
    Ferdinand Pöhlmann argues that a sense of one’s own basic abilities to move is a constitutive condition on the ability to perceive the world spatially. This constitutive relation explains why egocentric spatial representation is to be regarded as a kind of self-representation. In arguing for these claims, conceptual as well as empirical questions are discussed and an overview of accounts that take action as a constitutive condition on spatial representation is given. The picture that emerges is linked to the phenomenological (...)
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  • The rubber hand illusion: Sensitivity and reference frame for body ownership.Marcello Costantini & Patrick Haggard - 2007 - Consciousness and Cognition 16 (2):229-240.
    When subjects view stimulation of a rubber hand while feeling congruent stimulation of their own hand, they may come to feel that the rubber hand is part of their own body. This illusion of body ownership is termed ‘Rubber Hand Illusion’ . We investigated sensitivity of RHI to spatial mismatches between visual and somatic experience. We compared the effects of spatial mismatch between the stimulation of the two hands, and equivalent mismatches between the postures of the two hands. We created (...)
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  • Merleau-Ponty and the art of perception.Duane Davis (ed.) - 2016 - Albany: State University of New York Press.
    Philosophers and artists consider the relevance of Maurice Merleau-Ponty’s philosophy for understanding art and aesthetic experience. This collection of essays brings together diverse but interrelated perspectives on art and perception based on the philosophy of Maurice Merleau-Ponty. Although Merleau-Ponty focused almost exclusively on painting in his writings on aesthetics, this collection also considers poetry, literary works, theater, and relationships between art and science. In addition to philosophers, the contributors include a painter, a photographer, a musicologist, and an architect. This widened (...)
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  • L’imagerie du corps interne.Jenny Slatman - 2004 - Methodos 4.
    Les technologies contemporaines de l’image, telles que les ultrasons, l’endoscopie, et autres IRM et scanners, transforment l’image de notre corps. Dans cet article, cette transformation est particulièrement mise en lumière à partir d’une œuvre de Mona Hatoum intitulée “ Corps étranger ”. Cette œuvre d’art consiste en une projection vidéo d’images endoscopiques de l’intérieur du corps de l’artiste. On dit souvent qu’il est impossible de s’identifier soi-même à partir de ce type d’images dans la mesure où elles sont difficilement reconnaissables (...)
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  • Touchant-touché: The role of self-touch in the representation of body structure.Simone Schütz-Bosbach, Jason Jiri Musil & Patrick Haggard - 2009 - Consciousness and Cognition 18 (1):2-11.
    The “body image” is a putative mental representation of one’s own body, including structural and geometric details, as well as the more familiar visual and affective aspects. Very little research has investigated how we learn the structure of our own body, with most researchers emphasising the canonical visual representation of the body when we look at ourselves in a mirror. Here, we used non-visual self-touch in healthy participants to investigate the possibility that primary sensorimotor experience may influence cognitive representations of (...)
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