El presente trabajo analiza críticamente la propuesta de Kittler de renovar las ciencias sociales y humanas mediante una reflexión orientada hacia los medios de comunicación. Para ello, se sitúa tal propuesta en el debate, impulsado por el giro medial en Filosofía de los Medios, acerca de la pertinencia (o no) del enfoque trascendentalista sobre los medios. En un primer momento, se presenta en términos generales el planteo kittleriano en cuanto enfoque trascendentalista. En un segundo momento, se reconstruye y analiza la (...) estrategia kittleriana consistente en eliminar la noción de sentido para concentrarse, en cambio, en la noción de información. (shrink)

This paper argues that the still-emerging paradigm of situated cognition requires a more systematic perspective on media to capture the enculturation of the human mind. By virtue of being media, cultural artifacts present central experiential models of the world for our embodied minds to latch onto. The paper identifies references to external media within embodied, extended, enactive, and predictive approaches to cognition, which remain underdeveloped in terms of the profound impact that media have on our mind. To grasp this impact, (...) I propose an enactive account of media that is based on expansive habits as media-structured, embodied ways of bringing forth meaning and new domains of values. We apply such habits, for instance, when seeing a picture or perceiving a movie. They become established through a process of reciprocal adaptation between media artifacts and organisms and define the range of viable actions within such a media ecology. Within an artifactual habit, we then become attuned to a specific media work that engages us. Both the plurality of habits and the dynamical adjustments within a habit require a more flexible neural architecture than is addressed by classical cognitive neuroscience. To detail how neural and media processes interlock, I will introduce the concept of neuromediality and discuss radical predictive processing accounts that could contribute to the externalization of the mind by treating media themselves as generative models of the world. After a short primer on general media theory, I discuss media examples in three domains: pictures and moving images; digital media; architecture and the built environment. This discussion demonstrates the need for a new cognitive media theory based on enactive artifactual habits—one that will help us gain perspective on the continuous re-mediation of our mind. (shrink)

Resumen El presente trabajo analiza críticamente la propuesta de Kittler de renovar las ciencias sociales y humanas mediante una reflexión orientada hacia los medios de comunicación. Para ello, se sitúa tal propuesta en el debate, impulsado por el giro medial en Filosofía de los Medios, acerca de la pertinencia del enfoque trascendentalista sobre los medios. En un primer momento, se presenta en términos generales el planteo kittleriano en cuanto enfoque trascendentalista. En un segundo momento, se reconstruye y analiza la estrategia (...) kittleriana consistente en eliminar la noción de sentido para concentrarse, en cambio, en la noción de información.This work critically analyzes Kittler's proposal to renew the social and human aspects through a media-oriented reflection. For this, such proposal is placed in the debate, driven by the medial turn in Media Philosophy, about the relevance of the transcendentalist approach to the media. At first, the Kittlerian approach is presented in general terms as a transcendentalist approach. In a second moment, the Kittlerian strategy consisting of eliminating the notion of meaning is reconstructed and analyzed to concentrate, instead, on the notion of information. (shrink)

This e-Special Issue of Theory, Culture & Society focuses on the German media theorist Friedrich Kittler’s impact across the field of humanities. By including Kittler’s own texts and other scholars’ articles that continue or comment on Kittler’s work, the editors have sought to address the core aspects of Kittler’s provocative insights into how media technologies underpin our cultural formations. The editorial introduction sets out key sections on technology, aesthetics, ontology and epistemology, identified as the significant axes where Kittler opens up (...) traditional notions of art and humanities. The sections also develop a common theme having to do with a media material understanding of aesthetics and philosophical determinations of the concept of media from Ancient Greeks to computational culture. (shrink)