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Switch to: References
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With studies like Discourse Networks 1800/1900 and Gramophone, Film, Typewriter, Friedrich A. Kittler contributed significantly to transforming the history of media into a vital field of inquiry. This essay undertakes to more precisely characterize Kittler’s historiographical approach. When we look back on his early contributions to studies of the relationship between literature, madness and truth – among others, his doctoral dissertation on the Swiss poet and writer Conrad Ferdinand Meyer – what strikes us is the significance that Jacques Lacan’s structuralist (...) |
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The introduction provides a short outline of Kittler’s biographical background and briefly discusses the stages of his work: The initial discourse-analytical stage of the late 1970s that centered primarily on literary text; the media-theoretical stage of the 1980s and early 1990s that focused in particular on electric and electronic media; and a current stage dedicated to rewriting the origin of one the most basic cultural technologies: the alphanumeric notation system. |
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This paper brings together a most fascinating and under-examined body of early New World writing that belong to a genre of writing I call “the torture narrative” with the insights of Marshall McLuhan in order to offer a way of thinking about body parts, especially hands, teeth, tongues, and eyeballs, and their extensions through technologies such as alphabets, manuscripts, books, and weapons. At its core are questions about the nature and effects of the changes wrought by the early-Gutenberg era—a period (...) |
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Focusing on Kittler’s reading of Goethe’s ‘Wanderer’s Nightsong’ and Pink Floyd’s ‘Brain Damage’, the article traces Kittler’s development from discourse analysis to media theory. Where more traditional approaches would stress notions of self-reflexivity (both the poem and the song elaborate on their effects and foreground their own construction), Kittler performs, in his own words, a kind of ‘implosion’: The words of Goethe’s poem collapse back into the discursive order they evoke, and Pink Floyd’s song performs its own technology. But it (...) |
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This paper argues that the still-emerging paradigm of situated cognition requires a more systematic perspective on media to capture the enculturation of the human mind. By virtue of being media, cultural artifacts present central experiential models of the world for our embodied minds to latch onto. The paper identifies references to external media within embodied, extended, enactive, and predictive approaches to cognition, which remain underdeveloped in terms of the profound impact that media have on our mind. To grasp this impact, (...) |
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Este artículo analiza dos proyectos de renovación programática de las Humanidades, los cuales se centran en la noción de información. Consideraremos, por una parte, la propuesta de Friedrich Kittler acerca de un materialismo teórico-informacional, y por otra, la axiomática de las ciencias humanas de Gilbert Simondon. La pregunta que guía nuestro examen crítico es la siguiente: ¿de qué manera, en cada uno de esos proyectos, la noción de información funge como centro para una propuesta renovadora de las Humanidades? Nuestra hipótesis (...) |
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El presente trabajo analiza críticamente la propuesta de Kittler de renovar las ciencias sociales y humanas mediante una reflexión orientada hacia los medios de comunicación. Para ello, se sitúa tal propuesta en el debate, impulsado por el giro medial en Filosofía de los Medios, acerca de la pertinencia (o no) del enfoque trascendentalista sobre los medios. En un primer momento, se presenta en términos generales el planteo kittleriano en cuanto enfoque trascendentalista. En un segundo momento, se reconstruye y analiza la (...) |
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