Since the eighteenth century, the study of plants has reflected an increasingly mechanized and technological view of the natural world that divides the humanities and the natual sciences. In broad terms, this article proposes a context for research into flora through an interrogation of existing literature addressing a rapprochement between ways to knowledge. The natureculture dichotomy, and more specifically the plant-to-human sensory disjunction, follows a parallel course of resolution to the schism between objective and subjective forms of knowledge. The foundations (...) of taxonomic botany, as well as the allied fields of environmental studies, ethnobotany and economic botany, are undergirded by universalizing, sensorylimited visual structuring of the natural world. As the study of everyday embodied interactions of humans with flora, expanding upon the lens of cultural ecology, "cultural botany" provides a transdisciplinary research approach. Alternate embodied cultural engagements with flora emerge through a syncretic fusion of diverse methodologies. (shrink)

Emotion Review, Volume 13, Issue 4, Page 299-305, October 2021. According to recent accounts, we experience the emotion of “being moved” when a situation brings into play our core values. What are the core values evoked by nonhuman landscapes, however, particularly as the distinction between man-made and natural environments becomes increasingly blurry in the so-called Anthropocene? That is the central question tackled by this article. I start by rethinking the sublime as an affect that, since Romanticism, has shaped Western attitudes (...) toward nature. I argue that today's climate crisis calls for an expansion of our affective engagement with the nonhuman: the sublime can be part of our emotional repertoire, but only if it is complicated by feelings that point to constitutive human–nonhuman entanglement. (shrink)

The fiction of R. A. Lafferty is at once deeply ecological and deeply strange. Its incessant narrative inclusion of the nonhuman beings, places, and forces of Lafferty’s Oklahoman and otherwise western bioregion evinces an imagination profoundly porous to the local specificities and abundance of one’s more-than-human context. In this way it is deeply ecological. Lafferty’s fiction is also known as one of the most uniquely off-kilter, wildly imaginative, and arcanely erudite bodies of work in U.S. literature. In this way it (...) is deeply strange. While it is often acknowledged that Lafferty transcends the genre of science fiction and that his work is sui generis, little has been done to place him as either a U.S. author generally or an author of regional place more specifically. This thesis attempts to initiate the placement of Lafferty as a bioregional writer of the Great Plains and Southwest, whilst placing equal emphasis on Lafferty’s literary mode as not so much science-fictional as weird, or monstrous. The fusion of these concerns leads this thesis to declare Lafferty a purveyor of American Weird Bioregionalism. Toward this end, we herein assemble insights from regional western U.S. narrative traditions together with recent ecocritical and ecophilosophical discourses to reconfigure contemporary Monsters Studies toward a more-than-human construal of monsters and the monstrous that reads Lafferty’s weird bioregional fiction through the lens of what this thesis terms an Ecomonstrous Poetics. A chapter devoted to an ecomonstrous reading of Cormac McCarthy’s southwestern novel Blood Meridian provides a canonical comparison to Lafferty with surprising overlap. A final chapter on Lafferty’s implicit ecotheology rounds out the thesis and opens it up to further research. (shrink)

The main implication of the scientific consensus on human causality of climate change is the need to implement urgent and transformative policies. However, inaction remains. Much of the academic research has concentrated on discourses that question the evidence of climate science under the umbrella term "climate change denial", but the focus has recently started to shift to the arguments of those who, while accepting the evidence, criticize the processes by which it is obtained and, especially, oppose ambitious measures, in many (...) cases using misinformation. In this article, we will present a taxonomy of such arguments, categorized under the concept of "climate action obstructionism", and we will analyze how this discourse is "amplified" through the Internet; specifically, as an example, we will examine a YouTube video posted on Dalas Review’s channel. (shrink)

Light pollution is a topic gaining importance and acceptance in environmental discourse. This concept provides a framework for categorizing the adverse effects of nighttime lighting, which advocacy...

In his Guide to the Lakes (1810, 1835), the English Romantic poet William Wordsworth used the word 'nature' in two senses. Sometimes it denoted a holistic ideal, in the manner of metaphysicians, and sometimes a concrete landscape of discrete things, in the manner of natural scientists. The Guide to the Lakes thus marks a watershed in Western philosophy of nature. Although chronologically the ideal preceded the concrete landscape, conceptually the concrete landscape precedes the ideal, much as in Nietzsche's 'fiction of (...) causation'. (shrink)

In this paper, I discuss Richard Rorty’s views on intercultural hermeneutics as presented in his essay “Heidegger, Kundera, and Dickens” and in his correspondence with the Indian philosopher Anindita Niyogi Balslev. In doing so, I focus primarily on Rorty’s presumption that instead of providing an “authentic” picture of another culture, the goal of intercultural studies or hermeneutics should be to look if there is anything “of use” that a given culture offers and that is not offered by ours.