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  1. Re-Embedding the Market: Institutionalizing Effective Environmentalism.Arran Gare - 2022 - In Andrew M. Davis, Maria-Terisa Teixeira & Andrew Schwartz (eds.), Nature in Process: Organic Proposals in Philosophy, Society and Religion. Process Century Press. pp. 145-169.
    Karl Polanyi in The Great Transformation diagnosed what had happened in the Nineteenth Century that led to poverty, increasingly wild economic fluctuations, increasingly severe depressions, and social dislocation and oppression on a massive scale – the market had been disembedded from communities which were then subjected to the imperatives of a supposedly autonomous market. In fact, such disembedding and imposition of these imperatives was a deliberate strategy developed as a means to impose exploitative relations on people, in opposition to ideas (...)
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  • Modernity, Post-Modernity and Proto-Historicism: Reorienting Humanity Through a New Sense of Narrative Emplotment.Andrew Kirkpatrick - 2014 - Cosmos and History 10 (2):22-77.
    As a grand narrative of progress, the utopian project of modernity is primarily concerned with notions of rationalism, universalism, and the development of a metalanguage. The triumph of the Moderate Enlightenment has seen logics of domination, accumulation and individualism incorporated into the project of modernity, with these logics giving rise to globalised capitalism as the metalanguage of modernity and neoliberal economics as the grand narrative of rational progress. The project of modernity is all but complete, requiring only the formality of (...)
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  • Grand Narratives, Metamodernism, and Global Ethics.Andrew J. Corsa - 2018 - Cosmos and History 14 (3):241-272.
    Some philosophers contend that to effectively address problems such our global environmental crisis, humans must collectively embrace a polyphonic, environmentalist grand narrative, very different from the narratives accepted by modernists. Cultural theorists who write about metamodernism likewise discuss the recent return to a belief in narratives, and contend that our society’s current approach to narratives is very different from that of the modernists. In this paper, I articulate these philosophers’ and cultural theorists’ positions, and I highlight and explore interconnections between (...)
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