Contemporary critical theory and black studies have witnessed a surge in theoretical accounts of “blackness” as “nothingness”. Drawing on the work of the poet and cultural theorist Fred Moten, this article offers a reading of this recent postulation of blackness as “nothingness” in light of some of the similar theoretical endeavors in post-Kantian European philosophy. By comparing Moten’s “paraontological” conception of nothingness to Heidegger’s self-nihilating nothing, Sartre’s relative nothingness, as well as Schelling’s notion of absolute nothingness, this article argues that (...) Moten’s paraontology presents a more robust and systematic conception of nothingness than those of Heidegger, Sartre, and Schelling. By way of this comparison with these “canonical” accounts from European philosophy, this article highlights not only the unique features of Moten’s sophisticated formulation of nothingness, but also some of unacknowledged presumptions and prejudices of traditional metaphysics which Moten’s work calls into question. (shrink)

This article offers a reading of Sartre's phenomenological ontology in light of the pre-modern understanding of ‘transcendentals’ as universal properties and predicates of all determinate beings. Drawing on Sartre's transcendental account of nothingness in his early critique of Husserl as well as his discussion of ‘determination as negation’ in Being and Nothingness, this article argues that Sartre's universal predicate of ‘the not’ (le non) could be understood in a similar light to the medieval scholastic conception of transcendentals. But whereas the (...) scholastics saw the transcendental properties of oneness, truth, and goodness as reflections of God's divine perfections, Sartre's predicate of the ‘not’ operates as an atheistic transcendental which signifies the non-being of God – that God is not. By comparing Sartre's phenomenological ontology to medieval theological metaphysics, this article not only highlights the atheist underpinnings of Sartre's entire ontological schema in Being and Nothingness but also offers a new way of interpreting Sartre as a systematic transcendental metaphysician. (shrink)

In his ambitious Schelling's Late Philosophy in Confrontation with Hegel, Peter Dews sets out to reconstruct the fundamental difference between Schelling and Hegel on the basis of two related claims. The first, historical claim is that both are dealing with ‘our current historical situation’, which Dews identifies with ‘modernity’ (Dews 2023: 10). The second, systematic claim is that their mature systematic thinking is characterized by what he calls throughout the book, with reference to a canonical paper by Dieter Henrich (Henrich (...) 1976), their respective Grundoperationen (‘basic operations’). He then walks the reader through major positions that Schelling developed over the course of his philosophical career in order to demonstrate how Schelling arrives at a specific genealogical account of modernity. On this account, modernity is understood as a formation of consciousness, which is supposedly not subject to the Hegelian type of dialectic which, according to Dews, is driven by a rationalism so comprehensive that the very notion of unwarranted constraints on the agency of human beings or of the oppressive shaping of their consciousness has no place. (Dews 2023: 16). (shrink)