I examine the (mediated) correspondence between Spinoza and Robert Boyle concerning the latter’s account of fluidity and his experiments on reconstitution of niter in the light of the epistemology and doctrine of method contained in the Treatise on the Emendation of the Intellect. I argue that both the Treatise and the correspondence reveal that for Spinoza, the proper method of science is not experimental, and that he accepted a powerful under-determination thesis. I argue that, in contrast to modern versions, Spinoza’s (...) form of naturalism was a highly rationalist and anti-empirical one. I conclude with a brief account of the value of experience and experimentation for Spinoza’s scientific method. (shrink)

This paper argues that Spinoza's notions of “conatus” and “power of acting” are derived by means of generalization from the notions of “force of motion” and “force of determination” that Spinoza discussed in his Principles of Cartesian Philosophy to account for interactions among bodies on the basis of their degrees of contrariety. I argue that in the Ethics, Spinoza's ontology entails that interactions must always be accounted for in terms of degrees of “agreement or disagreement in nature” among interacting things. (...) The notion of “power of acting” is used to express the extent to which a thing's conatus is aided or restrained by external causes on the basis of its degree of agreement or disagreement in nature with them. “Power of acting” generalizes the same approach and method of resolution at the basis of the notion of “force of determination” in order to account for causal interactions not only among the simplest bodies but also among more complex individuals. (shrink)

Two priority problems frustrate our understanding of Spinoza on desire [cupiditas]. The first problem concerns the relationship between desire and the other two primary affects, joy [laetitia] and sadness [tristitia]. Desire seems to be the oddball of this troika, not only because, contrary to the very definition of an affect, desires do not themselves consist in changes in one's power of acting, but also because desire seems at once more and less basic than joy and sadness. The second problem concerns (...) the priority of desires and evaluative judgements. While 3p9s and 3p39s suggest that evaluative judgements are posterior to desires, Andrew Youpa has recently argued that passages in Ethics 4 indicate that rational evaluative judgements can give rise to, rather than arise out of, desires. I aim to offer solutions to these problems that reveal the elegance and coherence of Spinoza's account of motivation. Ultimately, I argue that whereas emotions and d.. (shrink)

Spinoza is often taken to claim that suicide is never a rational act, that a ‘free’ person acting by the guidance of reason will never terminate his/her own existence. Spinoza also defends the prima facie counterintuitive claim that the rational person will never act dishonestly. This second claim can, in fact, be justified when Spinoza's moral psychology and account of motivation are properly understood. Moreover, making sense of the free man's exception-less honesty in this way also helps to clarify how (...) Spinoza should, and indeed does, recognize the possibility of rational suicide. (shrink)

Within critical realist circles, the development of knowledge in the natural and social domains has thus far been much stronger by comparison with its respective development within the personal domain. What I want to explore here is how knowledge can be positively used to have emancipatory effects at the level of the individual. The way in which we are able to achieve this is by coming to have what Spinoza calls more adequate ideas of ourselves, other beings, and our place (...) in nature through strengthening the explanatory power and minimizing the fallibility of the knowledge we use in our judgements and progressive articulations of personal situations by making use of explanatory critique and cause-object matching techniques. This article explains what an explanatory critique actually is and does before turning to explain why it interests us in relation to Spinoza’s thought and then how it is specifically useful in connection with emotional revision and control. (shrink)

This paper pursues a question about the spatial relations between the three types of matter posited in Margaret Cavendish’s metaphysics. It examines the doctrine of complete blending and a distinctive argument against atomism, looking for grounds on which Cavendish can reject the existence of spatial regions composed of only one or two types of matter. It establishes, through that examination, that Cavendish operates with a causal conception of parts of nature and a dynamic notion of division. While the possibility of (...) unmixed spatial regions is found to be consistent with both the doctrine of complete blending and Cavendish’s anti-atomism by themselves, it is finally ruled out by a consideration of her theory of place. In fact, the geometrical question of the spatial relations between types of matter that drives the paper is ultimately exposed as illicitly mathematical from the perspective of Cavendish’s metaphysics. (shrink)

: Two common ways of explaining akrasia will be presented, one which focuses on strength of desire and the other which focuses on action issuing from practical judgment. Though each is intuitive in a certain way, they both fail as explanations of the most interesting cases of akrasia. Spinoza 's own thoughts on bondage and the affects follow, from which a Spinozist explanation of akrasia is constructed. This account is based in Spinoza 's mechanistic psychology of cognitive affects. Because Spinoza (...) 's account explains action asissuing from modes of mind that are both cognitive and affective, it captures the intuitions that motivate the two traditional views while avoiding the pitfalls that result from their one‐sided approaches. This project will allow us a fuller understanding of Spinozist moral psychology. In addition to this historical value, the Spinozist theory may offer a satisfactory explanation of certain hard cases of akrasia while avoiding the problems be set by other theories. For this reason, the Spinozist account could also be seen as a useful contribution to our philosophical understanding of the phenomenon of akrasia. (shrink)

Einstein's philosophy of physics (as clarified by Fine, Howard, and Held) was predicated on his Trennungsprinzip, a combination of separability and locality, without which he believed objectification, and thereby "physical thought" and "physical laws", to be impossible. Bohr's philosophy (as elucidated by Hooker, Scheibe, Folse, Howard, Held, and others), on the other hand, was grounded in a seemingly different doctrine about the possibility of objective knowledge, namely the necessity of classical concepts. In fact, it follows from Raggio's Theorem in algebraic (...) quantum theory that - within an appropriate class of physical theories - suitable mathematical translations of the doctrines of Bohr and Einstein are equivalent. Thus - upon our specific formalization - quantum mechanics accommodates Einstein's Trennungsprinzip if and only if it is interpreted a la Bohr through classical physics. Unfortunately, the protagonists themselves failed to discuss their differences in this constructive way, since their debate was dominated by Einstein's ingenious but ultimately flawed attempts to establish the "incompleteness" of quantum mechanics. This aspect of their debate may still be understood and appreciated, however, as reflecting a much deeper and insurmountable disagreement between Bohr and Einstein about the knowability of Nature. Using the theological controversy on the knowability of God as a analogy, we can say that Einstein was a Spinozist, whereas Bohr could be said to be on the side of Maimonides. Thus Einstein's off-the-cuff characterization of Bohr as a 'Talmudic philosopher' was spot-on. (shrink)

In his groundbreaking work of 1969, Spinoza's Metaphysics: An Essay in Interpretation, Edwin Curley attacked the traditional understanding of the substance-mode relation in Spinoza, according to which modes inhere in substance. Curley argued that such an interpretation generates insurmountable problems, as had already been claimed by Pierre Bayle in his famous Dictionary entry on Spinoza. Instead of having modes inhere in substance Curley suggested that the modes’ dependence upon substance should be interpreted in terms of (efficient) causation, i.e., as committing (...) Spinoza to nothing over and above the claim that substance is the (efficient) cause of the modes. These bold and fascinating claims generated one of the most important scholarly controversies in Spinoza scholarship of the past thirty-five years. In this paper I argue against Curley’s interpretation and attempt to reestablish the traditional understanding of Spinozistic modes as inhering in God and as predicated of God. I also criticize Curley’s philosophical motivation for suggesting this interpretation. In order to show that, for Spinoza, modes are predicated of - and inhere in - substance, I will proceed in the following manner. First, I will summarize Curley’s arguments against substance-mode inherence and present his alternative interpretation of the substance-mode relation. I will then present what I consider to be the most compelling arguments against Curley’s interpretation. Some of these arguments have already been suggested in the literature of the past thirty years (and by Bayle); however, as far as I know, most of the arguments I will be making are new. In the subsequent section I will respond to objections that Curley and Bayle advance against Spinoza’s view of God as the substratum in which all things inhere. Finally, I will address whether Spinozistic modes are predicated of (and not only inhere in) substance, and whether Spinoza considered modes to be particular properties (or “tropes,” in the jargon of contemporary metaphysics). Since Bayle’s claims will be used both in support of and against Curley’s interpretation, it would be appropriate to say a few introductory words on Bayle’s stance. In his Spinoza entry, Bayle criticizes Spinoza’s claim that all things are modes of God, claiming that it “is the most monstrous hypothesis that could be imagined, the most absurd, and the most diametrically opposed to the most evident notions of our mind.” Bayle, however, has no doubt that when Spinoza claims that all things are modes of God, Spinoza means that all things inhere in God. Curley embraces Bayle’s arguments against Spinoza, but uses them in order to claim that we should not ascribe to Spinoza a view which is allegedly shown by Bayle to be absurd. What we should do, Curley argues, is to reinterpret the substance-mode relation as a relation of causal dependence, which would set Spinoza free from Bayle’s hook. Interestingly, as we shall soon see, Bayle himself discusses and rejects a very similar revisionary interpretation of the substance-mode relation. (shrink)

Reading with Gilles Deleuze, this thesis explores art as a production that abandons representation as a formation of identity in favour of an ontology of becoming. I argue that the move to abstraction in painting resonates with the aim of "thought without image" because it counters representation with a radical materiality that returns painting to the movement of matter. In order to situate Deleuze's thinking on art within a trajectory of a philosophy of becoming I open the thesis with a (...) chapter on Bergson and Merleau-Ponty. Here I introduce the notion of 'thinking in painting' and argue that, while in Merleau-Ponty's phenomenology of art painting is a pedagogical investigation of the pre-human, chaotic and invisible 'depth' of a lived visible world, Deleuze takes Bergson's commitment to the possibility of moving beyond the human seriously and reverses the order of perception in order to seize the non-human virtual that eludes actualization. For Deleuze, the task of painting is therefore not to reveal the ontogenesis of the actual and the lived, but to extract the virtual and to embody it as a monument to that event. In abstraction the interest moves from the mechanism of perception to the work of paint, and in the subsequent chapters on Mondrian, Pollock, Klee and Bacon I explore specific practices and their peculiar logic of sensation. In Mondrian we see the strange space of virtuality unleashed when the line is not constrained by the closure of the punctual system, and in Pollock's explosive "all-over" paintings identify that space not as a chaos but as a chaosmosis or machinic heterogeneity. I argue that by understanding these modulating and rhythmic compositions as haptic spaces, we break through the distancing of visibility and can begin to think at the level of expressive matter. I then turn to Klee, and using the famous image of "taking a walk with a line" explore the notion of the emergent figure in the context of Klee's aim to "render visible". What we find is an art where space and the form of expression works on the plane of composition and refers only to the unfolding rhythms of the abstract line. In the final chapter I discuss Bacon's portraits and look at how the multiplicity of the event that is maintained in the diagrammatic composition is drawn into the recognizable face. I conclude that the embodiment of the non-human event forces thought to confront the possibility of the emergent identity that is realized in the abstraction of "thinking in painting". (shrink)

Spinoza unequivocally states in the Ethics that intuitive knowledge is more powerful than reason. Nonetheless, it is not clear what exactly this greater power promises in the face of the passions. Does this mean that intuitive knowledge is not liable to akrasia? Ronald Sandler offers what, to my knowledge, is the only explicit answer to this question in recent Spinoza scholarship. According to Sandler, intuitive knowledge, unlike reason, is not susceptible to akrasia. This is because, intuitive knowledge enables the knower (...) to greater power over the passions due to its immediacy, its foundation and because it engenders the boundlessly powerful intellectual love of God. In this paper, I consider to what extent intuitive knowledge is liable to akrasia by exploring whether Sandler's claim can justifiably be attributed to Spinoza. I argue that, given our modal status, it is not plausible to claim that akrasia would never apply to intuitive knowledge. Since intuitive ideas are the ideas of a finite .. (shrink)

Spinoza insists that we can during the course of our lives increase that part of the mind that is constituted by knowledge, but he also calls that part of the mind its eternal part. How can what is eternal increase? I defend an interpretation on which there is a sense in which the eternal part of the mind can become greater without changing intrinsically at all.

: In his Theological Political Treatise Spinoza lays the groundwork for the secular project of separation between religion and public life which will be characteristic of Western politics throughout Modern and Contemporary Ages. This project, however, is marked by a number of tensions which can already be seen in Spinoza’s work. This article tries to delineate the philosopher’s argument, identify and make explicit its main concepts and point to some of the tensions still working within the secular project, tensions which (...) arise from the philosophical reasoning employed by this project since its inception, as can be seen in Spinoza’s work. Keywords: Spinoza; Theological Political Treatise; secularism; freedom; religion; politics. (shrink)

: As Spinoza presents it, the knowledge of God is knowledge, primarily, of oneself and, secondarily, of other things. Without this know‐ledge, a mind may not consciously desire to persevere in being. That is why Spinoza claims that the knowledge of God is the most useful thing to the mind at IVP28. He claims that the knowledge of God is the highest good, however, not because it is instrumental to perseverance, but because it is also the best among those goods (...) that we seek for their own sakes. It is acquiescentia in se ipso, the highest form of laetitia. (shrink)