Latin dē, both in its prepositional and preverbal form, is characterized by multiple, varied, and seemingly unrelated senses. Unlike proposition-based lexicographical and historical linguistic accounts, an image-schematic definition systematically explains the range of its literal, physical senses and of its figurative, abstract senses, as well as the relations between them. Defining dē in terms of an image-schematic “scenario” portraying two entities connected by a directional trajectory in fact accommodates the co-existence of even antonymous senses within this word's semantic structure and (...) apparently radical divergences from its presumed essential literal meaning in Latin literature, due to the susceptibility of image schemas to “embodied” transformations such as perspective shifts and profiling effects. Dē's more abstract senses may also be linked in this way to widespread metaphorical patterns in Latin, showing that these senses are not haphazard but highly motivated semantically—with significant implications for lexicography, and literary and cultural history. (shrink)

Lexical evidence reveals that ordinary notions of space underwent a dramatic change from the late seventeenth century into the first decades of the nineteenth century: the word’s core meaning metamorphosed from INTERVAL to DIMENSION, revolutionizing relations between ordinary conceptions of time and space. Analyzing instances of the word in French over the years 1330–1835 indicates this conceptual change of SPACE was concurrent with growing interest in metaphysics and natural philosophy and echoed debates—provoked by Newton’s Principia (1687)—over the precise nature of (...) space. Employing both quantitative and qualitative methodologies, I show how changes in philosophical and scientific theory reshaped the general lexicon. I argue that ordinary lexical mechanisms largely determine the manner of science’s dissemination into culture and propose a model accounting for such changes. (shrink)