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  1. Gellner’s case against cognitive relativism.Rod Aya - 2015 - Thesis Eleven 128 (1):26-40.
    Moral relativism is a tragedy and cognitive relativism is a farce – so Gellner argues. First the tragedy: moral relativism is consistent and compelling given moral diversity and contention worldwide. Then the farce: cognitive relativism is self-contradictory and logically false; it is also absurd in view of hard science, which gets testable, cumulative, applicable results that yield high tech; and it is insidious – where logical consistency and empirical accuracy are a dead letter, mummery rules.
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  • Cultures do not exist: Exploding self-evidence in the investigation of Interculturality.Wim van Binsbergen - 1999 - Quest - and African Journal of Philosophy 13 (1-2):37-114.
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  • Is secularism history?Gregor McLennan - 2015 - Thesis Eleven 128 (1):126-140.
    In recent years, the intellectual tide has moved strongly against the kind of secular thinking that characterized Gellner’s work. Whether couched in terms of postcolonialism, multiculturalism, genealogy, global understanding, political theology, or the revival of normative, metaphysical and openly religious perspectives, today’s postsecular and even anti-secular mood in social theory seems to consign Gellner’s project to the dustbin of history: a stern but doomed attempt to shore up western liberal rationalism. Under some revisionary lights, it has even become pointless to (...)
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  • Once more and for the last time.Krishan Kumar - 2015 - Thesis Eleven 128 (1):72-84.
    Gellner is mostly known for his theory of nationalism, which he saw as antithetical to the principle of the multinational, hierarchical, empire. But like his LSE colleague Elie Kedourie, Gellner was fascinated by empire. In his last, posthumously published work, Language and Solitude, Gellner returned to the region of his childhood, the former Habsburg Empire, to explore its impact on the work of Malinowski and Wittgenstein. This essay will reflect on Gellner’s thoughts about empire, and the way in which he (...)
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