Here, we describe how Casas Grandes Medio period (AD 1200 to 1450) shamanic practices of the North American Southwest used tobacco shamanism, a ritual stance called the Tennessee Diviner (TD) posture, and cultural expectations to generate trance experiences of soul flight and divination. We introduce a conceptual model that holds that specific trance experiences are the emergent result of human minds interacting with additional factors including entheogens, cultural expectations, physiological states, postures/movement, and sound/stimulation. Experimental and ethnographic evidence indicates initiating trance (...) with either tobacco intoxication or the TD posture accompanied with a rapidly beating drum or rattle corresponds with perceptions of soul flight, transformation, and divination/information acquisition. Both have similar results but pairing them together as they were during the Medio period likely helped ensure the culturally desired trance experiences. This practice of mutually reinforcing factors was likely part of tobacco‐based shamanism found in other New World cultures as well. We suggest our general model can be applied to other contexts to examine how various aspects of trance induction interact to produce the cultural patterns (and resulting cosmological and spiritual frameworks) anthropologists have documented in other cultures. (shrink)

In this autobiographical essay, I reflect on my practice as an anthropologist through the medium of a dream experience. This dream occurred shortly before I was due to attend a ritual among the Booran Oromo in northern Kenya. In my discussion, I draw on analytical materialfrom anthropology, psychology, literature and philosophy. Using these different, but complementary approaches, I give three interpretations of the dream. The first two were provided to me by members of the culture, and are based on the (...) indigenous Oromo knowledge system. The third proposes a self‐analysis of the dream in terms of its structure and function. The entire exegesis is underpinned by an essay on dreams and dreaming by Foucault (1984). The analysis of the dream serves to situate my work in both theoretical and existential terms. The classic in this genre of writing is, of course, Lévi‐Strauss's (1973) Tristes Tropiques. (shrink)