Francis Bacon's concept of the ‘vexations of art’ entailed experimentation as an intervention into nature for the purpose of extracting its secrets. Although the standard edition of Bacon's works by Spedding, Ellis and Heath and the new Oxford edition by Graham Rees translate the phrase vexationes artium as the ‘vexations of art’, a significant number of scholars, translators and editors from the seventeenth century to the present have read Bacon's Latin as the ‘torment’ or ‘tortures of art’. Here I discuss (...) these latter interpretations and speculate on the reasons for their association of the term with experimentation. While it may not be possible to say with certainty what Bacon meant by ‘vexation’, the context of his thought, the rich set of metaphors on which he drew and the interpretations of dozens of scholars over four centuries would seem to favour assigning a robust, interventionist meaning to vexare. (shrink)

In letter 37 to Johannes Bouwmeester, Spinoza identifies a historiola mentis à la Bacon as an important tool for distinguishing more easily between adequate and inadequate ideas. This paper contends that Spinoza's advice is to take into account Baconian-style ‘Civil History’ as providing instructive material for contemplating the variety, complexity, and persistency of human passionate behaviour. Specifically, it argues that Baconian civil history forms an integral part of Spinoza's reflections on provisional morality. Although for Spinoza, philosophical beatitude ultimately demands understanding (...) affects through their first causes – the intuitive perception of things sub specie aeternitatis – in the realm of everyday Spinoza allows for a different, more pragmatic approach to morality. This paper argues at this stage that a philosophical understanding of the mind and its affections is not needed. Spinoza, following Bacon, holds that conduct of practical affairs is particularly improved when those so engage.. (shrink)