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  1. Sensitive Knowledge: Locke on Sensation and Skepticism.Jennifer Nagel - 2016 - In Matthew Stuart (ed.), Blackwell Companion to Locke. Blackwell. pp. 313-333.
    In the Essay Concerning Human Understanding, Locke insists that all knowledge consists in perception of the agreement or disagreement of ideas. However, he also insists that knowledge extends to outer reality, claiming that perception yields ‘sensitive knowledge’ of the existence of outer objects. Some scholars have argued that Locke did not really mean to restrict knowledge to perceptions of relations within the realm of ideas; others have argued that sensitive knowledge is not strictly speaking a form of knowledge for Locke. (...)
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  • Locke on Knowledge of Existence.Nathan Rockwood - 2016 - Locke Studies 16:41-68.
    The standard objection to Locke’s epistemology is that his conception of knowledge inevitably leads to skepticism about external objects. One reason for this complaint is that Locke defines knowledge as the perception of a relation between ideas, but perceiving relations between ideas does not seem like the kind of thing that can give us knowledge that tables and chairs exist. Thus Locke’s general definition of knowledge seems to be woefully inadequate for explaining knowledge of external objects. However, this interpretation and (...)
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  • Locke’s account of certain and instructive knowledge.Emily Carson - 2002 - British Journal for the History of Philosophy 10 (3):359 – 378.
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  • Revelation and the Nature of Colour.Keith Allen - 2011 - Dialectica 65 (2):153-176.
    According to naïve realist (or primitivist) theories of colour, colours are sui generis mind-independent properties. The question that I consider in this paper is the relationship of naïve realism to what Mark Johnston calls Revelation, the thesis that the essential nature of colour is fully revealed in a standard visual experience. In the first part of the paper, I argue that if naïve realism is true, then Revelation is false. In the second part of the paper, I defend naïve realism (...)
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