This issue of Body & Society was assembled to extend the interest in the embodied nature of people's experiences in, and of, the physical world. It thus seeks to develop further the emergent sociology of the body that has provided extensive insight into the embodied character of human experience. Such a sociology has, though, dealt less systematically with the various social practices that are involved in being in, or passing through, nature, the countryside, the outdoors, landscape or wilderness. These practices (...) reflect the apparently enhanced `culture of nature' in many contemporary societies. In particular, we are concerned with various embodied performances. The various articles consider: how is the body implicated in, and reproduced through, the diverse social practices happening within `nature'? Why is the body, and its physical capital, developed by practices thought to be beneficial because of the `natural' setting for such practices? In what form do these practices `in nature' come to be part of the reflexivity about the body, as the self and identity are increasingly matters of deliberation, negotiation and self-monitoring? (shrink)

In this article, I analyse line-rendering techniques in drawing and choreography, based on a Deleuzian framework. This pragmatic approach for understanding affect emerges in three distinct formulations. The first engages the coincidence of drawing and choreography at the limit of reach; the second investigates how trace and movement generate different yet mutually resonant versions of semblance. The third framework considers the potential for improvisation in the irreconcilability of contour and surface in the weighted line. These three framings generate an experimental (...) milieu in which I articulate the co-emergence of thought and feeling in relation to relevant concepts of the body and affect. In activating affective intensity in different line-rendering operations, this analysis traces the way that affects help to modulate tendencies of moving, feeling and thinking over a series of operations. (shrink)

This article attempts to understand the reconstitution of the `present' in modern societies. I argue that this reconstitution is the result of work done on `bare life', which I associate with that little space of time between action and performance. The article goes on to consider the ways in which this reconstitution of the present is taking place, using examples from the economic sphere. Throughout the article, I argue that operations on bare life are not only instrumental but also open (...) up new spaces of biopolitical practice based on a greater recognition of the value of slowness in a world commonly figured as fast. (shrink)