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  1. The politics of participation: Francis Galton's Anthropometric Laboratory and the making of civic selves.Frans Lundgren - 2013 - British Journal for the History of Science 46 (3):445-466.
    Historians have given much attention to museums and exhibitions as sites for the production and communication of knowledge in the nineteenth and early twentieth centuries. But few studies have analysed how the activity and participation of visitors was designed and promoted at such locations. Using Francis Galton's Anthropometric Laboratory at the International Health Exhibition in London 1884 as the empirical focal point, this paper explores a new mode of involving exhibition audiences in the late nineteenth century. Its particular form of (...)
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  • Continental Philosophy of Science.Babette Babich - 2007 - In Constantin V. Boundas (ed.), The Edinburgh Companion to the Twentieth Century Philosophies. Edinburgh. University of Edinburgh Press. pp. 545--558.
    Continental philosophies of science tend to exemplify holistic themes connecting order and contingency, questions and answers, writers and readers, speakers and hearers. Such philosophies of science also tend to feature a fundamental emphasis on the historical and cultural situatedness of discourse as significant; relevance of mutual attunement of speaker and hearer; necessity of pre-linguistic cognition based in human engagement with a common socio-cultural historical world; role of narrative and metaphor as explanatory; sustained emphasis on understanding questioning; truth seen as horizonal, (...)
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  • Towards a Critical Philosophy of Science: Continental Beginnings and Bugbears, Whigs, and Waterbears.Babette Babich - 2010 - International Studies in the Philosophy of Science 24 (4):343-391.
    Continental philosophy of science has developed alongside mainstream analytic philosophy of science. But where continental approaches are inclusive, analytic philosophies of science are not–excluding not merely Nietzsche’s philosophy of science but Gödel’s philosophy of physics. As a radicalization of Kant, Nietzsche’s critical philosophy of science puts science in question and Nietzsche’s critique of the methodological foundations of classical philology bears on science, particularly evolution as well as style (in art and science). In addition to the critical (in Mach, Nietzsche, Heidegger (...)
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  • ‘Intelligible to the mind and pleasing to the eye’: Mapping out kinship in British family directories (1660–1830).Stéphane Jettot - 2024 - History of the Human Sciences 37 (3-4):16-33.
    Peerages and baronetages were successful commercial directories sold by a number of prominent London booksellers from the beginning of the 18th century. They provided an account of most titled families (peers as well as baronets). As serial publications, they were intended for a larger public in need of identification tools in a context of expanding urban sociability and of major recomposition within the elites. In these pocket books, there were no longer the elaborate tree diagrams that had ornamented most of (...)
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  • Conjunctive Anomalies: A Reflection on Werewolves.Carlo Ginzburg - 2019 - Methodos 19.
    Dans un procès qui eut lieu à la fin du XVIIe siècle en Livonie (aujourd’hui Latvia) un homme surnommé « le vieux Thiess » avoua être un loup garou. Les anomalies qui marquent ses aveux ont été l’objet d’interprétations différentes, qui soulèvent le problème des ambitions, et des limites, de la comparaison. L’essai explore, à travers le cas du « vieux Thiess », la possibilité d’utiliser a) la notion d’anomalies conjonctives, inspirée par la critique textuelle, b) la notion de « (...)
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  • Composite Photographs and the Quest for Generality: Themes from Peirce and Galton.Chiara Ambrosio - 2016 - Critical Inquiry 42 (3):547-579.
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  • Polynesia and polygenism: the scientific use of travel literature in the early 19th century.Michael C. Carhart - 2009 - History of the Human Sciences 22 (2):58-86.
    Christoph Meiners (1747—1810) was one of 18th-century Europe's most important readers of global travel literature, and he has been credited as a founder of the disciplines of ethnology and anthropology. This article examines a part of his final work, Untersuchungen über die Verschiedenheiten der Menschennaturen [Inquiries on the differences of human natures], published posthumously in the 1810s. Here Meiners developed an elaborate argument, based on empirical evidence, that the different races of men emerged indigenously at different times and in different (...)
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  • What is "ethnophilology"? Some reflections on Asymmetry as a principle for historical inquiry.Denis Thouard - 2019 - Methodos 19.
    La note qui suit cherche à revenir sur la méthode singulière pratiquée avec bonheur par Carlo Ginzburg, qui consiste en la mise en tension des pratiques anonymes et des procédures savantes, souvent inspirées de la philologie. Deux études récentes de Carlo Ginzburg sont plus particulièrement analysées.
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  • The Philological Apparatus: Science, Text, and Nation in the Nineteenth Century.Paul Michael Kurtz - 2021 - Critical Inquiry 47 (4):747-776.
    Philology haunts the humanities, through both its defendants and its detractors. This article examines the construction of philology as the premier science of the long nineteenth century in Europe. It aims to bring the history of philology up to date by taking it seriously as a science and giving it the kind of treatment that has dominated the history of science for the last generation: to reveal how practices, instruments, and cooperation create visions of timeless knowledge. This historical inquiry therefore (...)
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  • On Photographs and Phonographs: New Techniques of Recording and their Influence on Mach’s Conception of Knowledge.Sabine Plaud - unknown
    I examine some aspects of Mach’s concern for photographs and phonographs. I start with the phonographs, and I examine in particular Mach’s reference to this device in his account of the development of written language. My second point is a comparison between Mach's reference to phonographs and hieroglyphs and some very similar insights in Wittgenstein’s Tractatus. Lastly, I address some aspects of Mach’s interest in photographical techniques, and I try to draw a parallel between Mach’s conception of mental economical pictures (...)
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