The employment of digital technology in recent instances of artwork replication raises important questions about the perceptual and ontological distinction between original and copy, for the latter is purported to be even more authentic than an original that has undergone alterations. Such instances challenge not only Benjamin’s claim about the loss of aura but also Goodman’s distinction between autographic and allographic arts. The article proposes to rethink the original/copy dualism from the perspective of the cult image. In the devotional traditions (...) of Graeco-Roman polytheism as well as Christianity and Buddhism, cult images are approached not as representations, but as animated entities endowed with thaumaturgic powers that can be ritually transferred onto copies. From this perspective, replication is not about reproducing more or less faithfully the original, but engendering a double as effective as the original. Finally, the bearing of this perspective on contemporary works of art is considered. (shrink)

A contribution to the Common Knowledge symposium “Caroline Walker Bynum across the Disciplines,” this essay explores the side of Bynum's scholarly personality that may be regarded as comparativist. She is interested in comparison with regard to periods of time, with regard to ritual and gender-based religious practices in the Christian West, and with respect to similarities that might be claimed between elements of Christian and non-Christian cultures. Her thoughts about morphology, materiality, and gender extend beyond medieval Europe to the world (...) at large. Her coedited volume Gender and Religion (1986), the first of its kind, has figured importantly in the development of the field many call comparative religion. Here Bynum's impact on selected scholars of Buddhist, Hindu, Muslim, and Sikh religion — as well as of non-Western Christianity — is assessed. This essay concludes with the text of a response delivered by the author, who is a scholar of Hinduism, to Bynum's Lionel Trilling Lecture at Columbia University, “Am I My Body? Medieval Theories of Bodily Resurrection and Some Modern Implications” (1991). (shrink)