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  1. Margaret Cavendish on the Order and Infinitude of Nature.Michael Bennett McNulty - 2018 - History of Philosophy Quarterly 35 (3):219-239.
    In this paper, I develop a new interpretation of the order of nature, its function, and its implications in Margaret Cavendish’s philosophy. According to the infinite balance account, the order of nature consists in a balance among the infinite varieties of nature. That is, for Cavendish, nature contains an infinity of different types of matter: infinite species, shapes, and motions. The potential tumult implicated by such a variety, however, is tempered by the counterbalancing of the different kinds and motions of (...)
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  • 'I Wish My Speech Were Like a Loadstone’: Cavendish on Love and Self-Love.Julia Borcherding - 2021 - Proceedings of the Aristotelian Society 121 (3):381-409.
    This paper examines the surprisingly central role of sympathetic love within Margaret Cavendish’s philosophy. It shows that such love fulfils a range of metaphysical functions, and highlight an important shift in Cavendish’s account vis-a-vis earlier conceptions: sympathetic love is no longer given an emanative or mechanistic explanation, but is naturalized as an active emotion. It furthers investigate to what extent Cavendish’s account reveals a rift between the realm of nature and the realm of human sociability, and whether this rift really (...)
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  • A Vitalist Shoal in the Mechanist Tide: Art, Nature, and 17th-Century Science.Jonathan L. Shaheen - 2022 - Philosophies 7 (5):111.
    This paper reconstructs Margaret Cavendish’s theory of the metaphysics of artifacts. It situates her anti-mechanist account of artifactual production and the art-nature distinction against a background of Aristotelian, Scholastic, and mechanist theories. Within this broad context, it considers what Cavendish thinks artisans can actually do, grounding her terminological stipulation that there is no genuine generation in nature in a commitment to natural and artistic production as the mere rearrangement of bodies. Bodies themselves are identified, in a conceptually Ockhamist manner, with (...)
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  • Introduction: sketches of a conceptual history of epigenesis.Antonine Nicoglou & Charles T. Wolfe - 2018 - History and Philosophy of the Life Sciences 40 (4):64.
    This is an introduction to a collection of articles on the conceptual history of epigenesis, from Aristotle to Harvey, Cavendish, Kant and Erasmus Darwin, moving into nineteenth-century biology with Wolff, Blumenbach and His, and onto the twentieth century and current issues, with Waddington and epigenetics. The purpose of the topical collection is to emphasize how epigenesis marks the point of intersection of a theory of biological development and a theory of active matter. We also wish to show that the concept (...)
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  • Wind eggs and false conceptions: thinking with formless births in seventeenth-century European natural philosophy.Paige Donaghy - 2022 - Intellectual History Review 32 (2):197-218.
    In early modern European natural philosophy and medicine, scholars encountered the problem of the “formless birth” in their studies into generation, alongside “monstrous” and “perfect” births. Such formless births included the hen’s egg, the unformed bear cub, and the human false conception – said to be shapeless lumps of moving flesh – and these types of conceptions influenced how natural philosophers, like William Harvey and Jan Baptiste van Lamzweerde, approached experiments on, or explanations of, generation. This article suggests that the (...)
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  • By analogy to the element of the stars: the divine in Jean Fernel's and William Harvey's theories of generation.Xiaona Wang - 2019 - Intellectual History Review 29 (3):371-387.
    Jean Fernel and William Harvey were leading medical practitioners of their respective generations, but they also worked in natural philosophy, and, in particular, were well known for their works on...
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