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Max Weber and Thomas Mann: Calling and the Shaping of the Self

University of California Press (1988)

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  1. Reflexive Historical Sociology.Arpád Szakolczai - 1998 - European Journal of Social Theory 1 (2):209-227.
    This paper attempts to reassess the standard sociological canon and sketch the outlines of a new approach by bringing together a series of thinkers whose works so far have remained disconnected. Introducing a distinction between classics and background figures who were crucial sources of inspiration, it shifts emphasis to the late, reflexive works of Durkheim and Weber. These are sources for two types of reflexive sociology: historical and anthropological. The main background figures of reflexive historical sociology are Marx, Kierkegaard, Nietzsche (...)
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  • Moving Beyond the Sophists: Intellectuals in East Central Europe and the Return of Transcendence.Arpad Szakolczai - 2005 - European Journal of Social Theory 8 (4):417-433.
    This article argues that the dominant role played by intellectuals in East Central Europe was motivated by a deeply felt Enlightenment missionary belief. This establishes affinities between them and the ancient Sophists, and the ambivalence of such a position is illustrated through the case of Georg Lukács. As examples of philosophers in the classical sense of the term, the article provides four short portraits: the Czech Jan Patoc ka, who argued that Europe as a culture is rooted in the care (...)
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  • Between 'Conservative Revolution', aesthetic fundamentalism and new nationalism: Thomas Mann's early political writings.Stefan Breuer - 1998 - History of the Human Sciences 11 (2):1-23.
    The author of 'Betrachtungen eines Unpolitischen' (1918) is usually regarded as one of the founding fathers of the so-called 'Conservative Revolution'. But Thomas Mann's understanding of this concept does not at all coincide with the definition established by Armin Mohler, mainly in that it is not Nietzschean. Nor do the ties with the George circle furnish grounds for assigning Mann to the 'Conservative Revol ution', any more than to the 'aesthetic fundamentalism' which was cul tivated there. Moreover, it can be (...)
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  • Image-magic in A Midsummer Night's Dream: power and modernity from Weber to Shakespeare.Arpad Szakolczai - 2007 - History of the Human Sciences 20 (4):1-26.
    This article argues that the modern world is not only produced by, and is promoting, processes of rationalization and disenchantment, but is also the site of `enchanting' influences that are genuinely `charming' or `magical'. Such modes of influencing rely increasingly on the power of images, and on theatre-like performances of words or discourses. The impact takes place under conditions that, following Victor Turner's work, could be called `liminal', and which can be turned through `imagemagic' into a state of `permanent liminality'. (...)
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