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Understanding Emotions: Mind and Morals

Brookfield: Ashgate (2002)

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  1. William James on emotion and intentionality.Matthew Ratcliffe - 2005 - International Journal of Philosophical Studies 13 (2):179-202.
    William James's theory of emotion is often criticized for placing too much emphasis on bodily feelings and neglecting the cognitive aspects of emotion. This paper suggests that such criticisms are misplaced. Interpreting James's account of emotion in the light of his later philosophical writings, I argue that James does not emphasize bodily feelings at the expense of cognition. Rather, his view is that bodily feelings are part of the structure of intentionality. In reconceptualizing the relationship between cognition and affect, James (...)
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  • Pattern of Sentiment: Following a Deweyan Suggestion.Dina Mendonça - 2012 - Transactions of the Charles S. Peirce Society 48 (2):209-227.
    This paper follows a Deweyan suggestion and proposes a structure for emotional activity – pattern of sentiment –as a way to grasp emotional experience in its live occurrence by building upon Dewey’s crucial notion of situation. The first part outlines Dewey’s criticisms of James’s idea of emotion, and verifies the ways in which the recent developments of neuroscience overcome Dewey’s criticisms of James. Given that Dewey’s work is a propitious ground for continuing to renew the discourse about the activities of (...)
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  • Toward a Phenomenology of Mood.Lauren Freeman - 2014 - Southern Journal of Philosophy 52 (4):445-476.
    Martin Heidegger's account of attunement [Befindlichkeit] through mood [Stimmung] is unprecedented in the history of philosophy and groundbreaking vis-à-vis contemporary accounts of emotion. On his view, moods are not mere mental states that result from, arise out of, or are caused by our situation or context. Rather, moods are fundamental modes of existence that are disclosive of the way one is or finds oneself [sich befinden] in the world. Mood is one of the basic modes through which we experience the (...)
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  • Emotion.Peter Goldie - 2007 - Philosophy Compass 2 (6):928–938.
    After many years of neglect, philosophers are increasingly turning their attention to the emotions, and recently we have seen a number of different accounts of emotion. In this article, we will first consider what facts an account of emotion needs to accommodate if it is going to be acceptable. Having done that, we will then consider some of the leading accounts and see how they fare in accommodating the facts. Two things in particular will emerge. First, an adequate account of (...)
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  • Being emotional about the past: On the nature and role of past-directed emotions.Dorothea Debus - 2007 - Noûs 41 (4):758-779.
    We sometimes experience emotions which are directed at past events (or situations) which we witnessed at the time when they occurred (or obtained). The present paper explores the role which such "autobiographically past-directed emotions" (or "APD-emotions") play in a subject's mental life. A defender of the "Memory-Claim" holds that an APD-emotion is a memory, namely a memory of the emotion which the subject experienced at the time when the event originally occurred (or the situation obtained) towards which the APD-emotion is (...)
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  • Wollheim on emotion and imagination.Peter Goldie - 2006 - Philosophical Studies 127 (1):1-17.
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  • One's Remembered Past: Narrative Thinking, Emotion, and the External Perspective.Peter Goldie - 2003 - Philosophical Papers 32 (3):301-319.
    Abstract Narrative thinking has a very important role in our ordinary everyday lives?in our thinking about fiction, about the historical past, about how things might have been, and about our own past and our plans for the future. In this paper, which is part of a larger project, I will be focusing on just one kind of narrative thinking: the kind that we sometimes engage in when we think about, evaluate, and respond emotionally to, our own past lives from a (...)
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  • On Music’s Subtle Expressiveness.Myriam Albor - 2016 - Avant: Trends in Interdisciplinary Studies 7 (1):37-65.
    I suggest that emotions are not the primary affective attitude towards music. If we are to explain music’s expressiveness according to the Resemblance Theory, that theory should be extended to include feelings. Because of the lack of intentionality in music and the dearth of universal emotional gestures to explain the subtlety of music’s expressive power, explaining this expressiveness by making recourse to music’s relationships with emotions is bound to face challenges. I will argue that, even though the movements in music (...)
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  • (1 other version)Emotional behaviour and the scope of belief-desire explanation.Finn Spicer - 2004 - In Dylan Evans & Pierre Cruse (eds.), Emotion, Evolution, and Rationality. Oxford University Press. pp. 51--68.
    In our everyday psychologising, emotions figure large. When we are trying to explain and predict what a person says and does, that person’s emotions are very much among the objects of our thoughts. Despite this, emotions do not figure large in our philosophical reconstruction of everyday psychological practice—in philosophical accounts of the rational production and control of behaviour. Barry Smith has noted this point: We frequently mention people’s emotional sates when assessing how they behave, when trying to understand why they (...)
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  • Emociones desde otra lente: una crítica a la conceptualización dicotómica de la emoción.Mar Cabezas - 2010 - Dilemata 2.
    The classical dichotomical framework has shaped the western conceptualization of emotions and is still alive in our common imagery impregnating our own assumptions about the polarity emotion/reason. Thereby, my main purpose is to suggest that another framework can be defended. In order to it, I will firstly analyse the basis of this logic, as well as I will also offer a critique of its main principles and consequences. Finally, as a way of surpassing the old dichotomic model, I will argue (...)
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