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  1. Ontology and Painting, or: Merleau-Ponty’s Eye and Mind and its relation to the Ocular.Clark Ross - unknown
    In this paper I put forward an argument concerning the place and significance of painting in Merleau-Ponty’s famous last essay Eye and Mind. I argue that for Merleau-Ponty modern philosophy comes about through an engagement with vision – in an attempt to think its peculiar virtue of “action at a distance” – but ends up betraying this dynamic, by offering us an account of vision that is grounded in the spontaneity of the mind. In this sense I claim that Eye (...)
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  • Art and Utopia: The Marcusean Perspective.Stephen Eric Bronner - 1973 - Politics and Society 3 (2):129-161.
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  • Culinary Works Come in Three Ontological Flavours.Fabio Bacchini - 2020 - Humana Mente 13 (38).
    When investigating the nature of culinary works, it is easy to take for granted that they all share the same ontology. This paper argues that, on the contrary, the ontology of culinary works is really threefold. Some culinary works are edible concrete particulars, or dishes, as many of us may first assume. But others are types, or multiply realisable abstract entities. And, while some of these types are determined by one recipe, others are rather chased after by their indefinitely many (...)
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