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  1. Cold-War Twins: Mikhail Alpatov's a Universal History of Arts and Ernst Gombrich's the Story of Art.Vardan Azatyan - 2009 - Human Affairs 19 (3):289-296.
    Cold-War Twins: Mikhail Alpatov's a Universal History of Arts and Ernst Gombrich's the Story of Art This article deals with the "afterlife" of a methodological disagreement in the Vienna School of Art History between the positions of Alois Riegl and Julius von Schlosser in Mikhail Alpatov's and Ernst Gombrich's art history survey texts published during the Cold War on different sides of the Iron Curtain. Though these surveys are methodological antipodes, the difference itself, I argue, is possible only within the (...)
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  • Gombrich and the Problem of Relativity of Vision.Ladislav Kesner - 2009 - Human Affairs 19 (3):266-273.
    Gombrich and the Problem of Relativity of Vision The essay argues that Ernst Gombrich's views are relevant to the critical examination of the notion of the relativity and historicity of vision which has been widely accepted as one of the central axioms shared by visual studies, art history and film studies.
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  • European Thinking and the Study of World Art from a Natural Perspective.Ancuta Mortu - 2018 - Espes 7 (2):43-50.
    My aim in this paper is to address some difficulties related to the development of an emerging research program called world art studies. While it originates as a European discipline in the German scholarly tradition around 1900, this program comes to the fore only recently, with recent advances in natural and cognitive sciences which hold promise for providing more inclusive categories that could serve the study of art as a worldwide phenomenon. I focus more specifically on the strengths and weaknesses (...)
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