Donald Davidson notoriously rejected ‘metaphorical meaning’ and denied the existence of linguistic mechanisms by which metaphorical significance is conveyed. He contended that the meanings metaphorical sentences have are just their literal meanings, though metaphorical utterances may brute-causally have important cognitive effects. Contrastingly, John Searle offers a Gricean account of metaphor as an elaborated kind of implicature, and defends metaphorical meaning as speaker-meaning. Each of those positions is subject to very telling objections from the other's point of view. This paper proposes (...) a synthesis that combines the respective virtues of Davidson's and Searle's accounts and avoids all the objections to each. (shrink)

That the same story can be told in different media is one of the fundamental claims of narratology. Claude Bremond famously listed verbal narrative, novels, theater, movies and ballet among potential vehicles for story. He thus prepared the ground for narratology’s future as a discipline engaged in narrative research across media, in principle including single still pictures. However, narratological research concerned with pictorial narrativity generally proceeds from the assumption that although single pictures may evoke or imply stories, they are unsuitable (...) for storytelling in a strict narratological sense. Focusing on the key issue of temporality, this essay will show that a single still picture may indeed tell “a story proper” and can thus be regarded as a narrative, even according to a narrow definition. (shrink)