The article analyses recent English publications in Cartesian studies that deal with two problems: the problem of the intrinsic coherence of Descartes’s doctrine of the real distinction and interaction between mind and body and the problem of the consistency of this doctrine with the causal principle formulated in the Third Meditation. The principle at issue is alternatively interpreted by different Cartesian scholars either as the Hierarchy Principle, that the cause should be at least as perfect as its effects, or the (...) Containment Principle, that the cause should contain all there is in its effects. The author argues that Descartes’s claim that it is inconceivable how things of different natures can interact does not conflict with the acknowledgement of interaction between things of different natures in the case of soul and body. The case is made that Cartesian mind-body interaction can agree with both the Hierarchy Principle and the Containment Principle, because the Principle is about total and efficient cause, whereas in the interaction, mental and brain states are only partial causes. In particular, in the case of the causality in the brain-to-mind direction, the mind is conditioned by brain states to form the corresponding specific ideas on the basis of its innate general ideas of movements, forms, colours, etc. Eventually, for Descartes, the most natural way to deal with worries about the possibility of mind-brain interaction is to rely on God’s omnipotence, which certainly enables Him to arrange for such interaction. (shrink)

One vexing strand of Spinozism asserts that God's nature is more expansive than traditionally conceived and includes properties like being extended. In this paper, I argue that prominent early moderns embrace metaphysical principles about causation, mental representation, and modality that pressure their advocates towards such an expansive account of God's nature in similar ways. I further argue that the main early modern escape route, captured in notions like “eminent containment,” fails to adequately relieve the metaphysical pressures towards Spinozism. The upshot (...) is that those sympathetic with these early modern projects must embrace a costlier option if they are to successfully escape the orbit of Spinoza. (shrink)

The employment by seventeenth-century natural philosophers of stock theological notions like creation, immensity, and eternity in the articulation and justification of emerging physical programs disrupted a delicate but longstanding balance between transcendent and immanent conceptions of God. By playing a prominent (if not always leading) role in many of the major scientific developments of the period, God became more intimately involved with natural processes than at any time since antiquity. In this discussion, I am particularly concerned with the causal and (...) spatio-temporal relations between God and nature in the seventeenth century as recent scholarship has revealed how dramatically traditional conceptions of these relations were transformed by philosophers and scientists like Descartes, Malebranche, More, and Newton. (shrink)

It is a common view that Descartes' causal principle is to be understood in light of a similarity condition that accounts for how finite causes contribute to an explanation of their effects. This paper challenges this common view and offers a sui generis reading of Descartes' views on causation that has also the advantage of solving the two exegetical issues of whether Descartes thought of the body-to-mind relation in occasionalist or causal terms and of whether Descartes regarded sensory ideas innate (...) or caused by bodies. (shrink)

The intentionality of improvisation represents surely one of the most pressing and controversial issues in contemporary action theory: how do we find the way to characterize the proper intentionality of improvisation, which is an unplanned yet intentional action? This article will address this question bringing together Merleau-Ponty’s motor intentionality and Bergson’s conception of duration. My argument will unfold in three main stages. First, I will briefly describe the traditional scheme that is used to think of intentional action in contemporary action (...) theory and discuss how the phenomenon of improvisation casts doubts on it. Second, I will outline an initial, and provisional account of improvisation by crossing the descriptions of musical improvisation provided by Jankélévitch with the testimonials of two improvisatory composers—Enrico Pieranunzi and Keith Jarrett—and reports from Charles Rosen, an American pianist and Roger Sessions, an American composer. Finally, I will refine the basic concepts and lay out a phenomenological account of improvisation, by extending and applying the phenomenological notion of motor intentionality to the examples and testimonials gathered from the observation of a specific kind of improvisatory activity—musical composition. This methodology is intended to contrast both with more standard philosophical approaches based on hypothetical examples, and with more standard laboratory-based methodologies in cognitive sciences, psychology, and experimental philosophy. Overall, this approach is intended to redress the balance of action theory—one-sided directed towards planning, as a key aspect of human agency—with an analysis of the bodily and responsive aspect of intentionality. (shrink)