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  1. Towards a Critical Theory of High Culture: The Work of György Márkus.Stephen Norrie - 2014 - Journal of Critical Realism 13 (5):467-497.
    György Márkus’s post-Marxist writings on high culture are evaluated in terms of their possible contribution to a neo-Marxist theory of high culture. Because of the highly essayistic character of Márkus’s presentation, this necessarily involves investigation of their dependence on his previous work. According to Márkus, Marxism can be critically reconstructed and superseded on the basis of an independent theorization of the consequences of Marx’s most basic theoretical move: the identification of production as paradigmatic for social action in general. In section (...)
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  • Order Without Rules: Critical Theory and the Logic of Conversation.David Bogen - 1999 - State University of New York Press.
    Questions whether the logic of language underlying Habermas's theory of communicative action is in fact the defining feature of conversational practice.
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  • David Bogen, order without rules: Critical theory and the logic of conversation.J. J. Chriss - 2002 - Human Studies 25 (2):241-249.
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  • (1 other version)The proletarian as stranger.Dick Pels - 1998 - History of the Human Sciences 11 (1):49-72.
    This paper argues that the Marxist theory of the proletariat in many ways projects a romanticized self-description or 'false shadow' of its revolutionary spokesmen, and hence more proximately describes the missionary complex and Bohemian life-style of marginalized political intellectuals than a 'really existing' working class. This 'mistaken iden tity play' between spokespersons and their favourite sociological con stituency, which is already alluded to in various historical left-wing and right-wing 'farewells to the proletariat', is more systematically criti cized in recent reassessments (...)
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  • The new class and state patronage of the arts in Canada.Evan Alderson - 1990 - World Futures 28 (1):203-215.
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