ABSTRACT In this paper I explore the role of imagination in ethical life. I do so by discussing the thought of Kierkegaard and Murdoch, both of whom stress the importance as well as the dangerousness of imagination for ethical life. Both distinguish between proper imagination and mere fantasy in dealing with the tension. Anti-Climacus’s views on imagination emphasize that the proper use of the imagination plays a vital role in realizing the fundamental ethical task of becoming ourselves, whereas fantasy only (...) alienates us from ourselves. Murdoch’s account of imagination stresses that a proper use of the imagination contributes to the realization of a selfless attunement to the world, whereas fantasy only reinforces the (what she describes as) ‘fat, relentless ego’. In the final part of the paper I discuss some existing comparisons between both accounts. I conclude by drawing attention to the fundamental choice that comparing their views on the role of imagination in ethical life confronts us with: should we be existentialists or mystics in ethics? (shrink)

This dissertation presents an in-depth investigation into the notion of paradox and its significance for Christian existence in the thought of the Danish philosopher and theologian Søren Kierkegaard. The primary aim of the study is to explore and to develop various expressions of paradox in Kierkegaard’s authorship in order to demonstrate the manner by which Kierkegaard employs paradox as a means of challenging his Christendom contemporaries to exist as authentic Christians, and more specifically to enter into the existential state I (...) am identifying in this project as living within the sacred tension. With this aim in mind, I begin with a discussion of Kierkegaard’s ethico-religious task in response to his Christendom culture and I provide a broad characterization of the notion of sacred tension as the telos of this task. For the majority of the study I then focus on four different expressions of paradox in Kierkegaard’s thought. These four expressions are: paradox that is associated with the faith of Abraham (as presented in Fear and Trembling), paradox that is associated with the nature of the self and the task of selfhood (as presented in The Sickness unto Death), paradox that is associated with the God-man (as presented in Philosophical Fragments, Concluding Unscientific Postscript, and Practice in Christianity), and paradox that is associated with Christian love (as presented in Works of Love). In addition to arguing that Kierkegaard employs these expressions of paradox to help usher his contemporaries into a state of sacred tension, I also argue that such sacred tension can be understood in terms of various concrete Christian virtues. In this respect, I claim that Kierkegaard’s ethico-religious task is not merely negative or deconstructive in nature, but rather it is infused with the robust positive content associated with Kierkegaard’s particular understanding of Christianity. Viewing Kierkegaard’s thought and writings in this manner helps to reaffirm the significance of the notion of paradox in Kierkegaard’s thought and to highlight the value of the notion of sacred tension for a reassessment of both Kierkegaard’s existentialism and its contemporary implications. (shrink)

This paper elucidates Kierkegaard’s notion of the “simultaneity of factors” in order to reveal the intimate connection between reason and emotion. I begin with the romantic vision of aesthetic education as embodied in Friedrich Schiller, which Kierkegaard himself inherited, though in a critical and nuanced manner. Next, I explore Kierkegaard’s pointed critique of the romantics, namely through his conviction that they had misrepresented the role of imagination to the detriment of harmony in the individual. Finally, I present Kierkegaard’s positive view (...) of the simultaneity of factors, emphasizing his improvement on the romantics through the central category of “inwardness.” Throughout, I underline that Kierkegaard gave higher status neither to emotion nor reason, taking them as complimentary aspects of human existence and thereby inviting their reunion in the history of philosophy. (shrink)

ABSTRACT Aphantasia is a spectrum disorder, affecting the ability of otherwise healthy individuals to form voluntary or conscious mental images, and in some cases also any form of sensory representation. Although only discovered in 2010, it is now estimated that 2–3% of the population may have aphantasia – otherwise termed, the absence of a ‘mind’s eye,’ that aspect of conscious experience which so many people take for granted as part of their general way of experiencing the world. Aphantasia, although it (...) does not imply the absence of all forms of imagination, such as perspective taking and narrative construction, is quite literally a disorder affecting the individual’s capacity to form and work with images, and thus the absence of a certain way in which consciousness engages with the image-object, distinct both from perception and thought. This paper examines how phenomenological accounts of imagination can help us to better understand aphantasia, and also the ways in which aphantasia calls into question some aspects of an existential account of self. (shrink)

ABSTRACT Faith for Kierkegaard is ‘beyond’ reason in some senses but not others. Faith is more specific and more subjective than concepts. On the other hand, Kant claims it is the faculty of reason that motivates us to make sense of anything and enables us to take something teleologically as a task, including faith. I begin from Kant’s account of the artistic genius to show how the faculties of imagination and understanding are related for Kant and how Kierkegaard’s description of (...) faith as a synthesis relies on the teleological structures established by Kant. While imagination can overwhelm understanding in works of artistic genius, a complex harmony nevertheless emerges that depends on the viewer (i.e. is ‘subjective’) but originates in the work. The free play between imagination and understanding in Kantian aesthetic judgments offers a way in which faith and understanding can be in tension for Kierkegaard without there being an absolute boundary that leaves reason behind. (shrink)

ABSTRACT Kierkegaard seeks to inspire transformations. His aim is to get us to devote our lives to God or the Good rather than our own personal enjoyment – to abandon the aesthetic life in favour of the ethical or religious one. Drawing on Laurie Paul and Agnes Callard’s recent work, I maintain that two obstacles stand in Kierkegaard’s way. First, transformations involve adopting a new perspective on the world, one we cannot fully grasp ahead of time. Second, transformations also involve (...) coming to care about something we do not yet care about. On my interpretation, Kierkegaard sees art, especially literature, as central to overcoming both obstacles. Good stories afford us a glimpse into what it would look and feel like to live in ways other than we currently do. In addition, they have the power to attract us to points of view we would ordinarily reject. (shrink)

ABSTRACT What happens to the imagination in the process of overturning despair and becoming an authentic (i.e. a Christian) self? Using the mystic concept of Entbildung (i.e. getting cleansed of images) as heuristics, the article re-examines the relation of the imagination and the will in Kierkegaard. Analysing the rarely compared texts Practice in Christianity and the first of the Ethical-Religious Essay, and paying close attention to the semantics of the image, the article argues that grace and imagination cooperate in the (...) process of Entbildung, restoring the self’s receptivity for possibility as an uncontrollable, non-anticipatable divine possibility. It is in this kenotic discipleship that the aspiring followers of Christ may come to resemble Christ, who in the Garden of Gethsemane prayed ‘Father … everything is possible for you. Take this cup from me. Yet not what I will, but what you will’. (shrink)

Name der Zeitschrift: Kierkegaard Studies Yearbook Jahrgang: 23 Heft: 1 Seiten: 105-123.