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  1. Comment: The Next Frontier: Prosody Research Gets Interpersonal.Marc D. Pell & Sonja A. Kotz - 2021 - Emotion Review 13 (1):51-56.
    Neurocognitive models (e.g., Schirmer & Kotz, 2006) have helped to characterize how listeners incrementally derive meaning from vocal expressions of emotion in spoken language, what neural mechanisms are involved at different processing stages, and their relative time course. But how can these insights be applied to communicative situations in which prosody serves a predominantly interpersonal function? This comment examines recent data highlighting the dynamic interplay of prosody and language, when vocal attributes serve the sociopragmatic goals of the speaker or reveal (...)
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  • Does Music Training Improve Emotion Recognition Abilities? A Critical Review.Marta Martins, Ana P. Pinheiro & César F. Lima - 2021 - Emotion Review 13 (3):199-210.
    There is widespread interest in the possibility that music training enhances nonmusical abilities. This possibility has been examined primarily for speech perception and domain-general abilities su...
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  • Comment: Advances in Studying the Vocal Expression of Emotion: Current Contributions and Further Options.Klaus R. Scherer - 2021 - Emotion Review 13 (1):57-59.
    I consider the five contributions in this special section as evidence that the research area dealing with the vocal expression of emotion is advancing rapidly, both in terms of the number of pertinent empirical studies and with respect to an ever increasing sophistication of methodology. I provide some suggestions on promising areas for future interdisciplinary research, including work on emotion expression in singing and the potential of vocal symptoms of emotional disorder. As to the popular discussion of the respective role (...)
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  • Links Between Musicality and Vocal Emotion Perception.Stefan R. Schweinberger & Christine Nussbaum - 2021 - Emotion Review 13 (3):211-224.
    Links between musicality and vocal emotion perception skills have only recently emerged as a focus of study. Here we review current evidence for or against such links. Based on a systematic literature search, we identified 33 studies that addressed either (a) vocal emotion perception in musicians and nonmusicians, (b) vocal emotion perception in individuals with congenital amusia, (c) the role of individual differences (e.g., musical interests, psychoacoustic abilities), or (d) effects of musical training interventions on both the normal hearing population (...)
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  • Vocal emotion adaptation aftereffects within and across speaker genders: Roles of timbre and fundamental frequency.Christine Nussbaum, Celina I. von Eiff, Verena G. Skuk & Stefan R. Schweinberger - 2022 - Cognition 219 (C):104967.
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