Natural history collections are typically studied in terms of how they were formed rather than how they were received. This gives us only half the picture. Visiting accounts can increase our historical understanding of collections because they can tell us how people in the past understood them. This essay examines the responses of visitors to Walton Hall in West Yorkshire, home of the traveller-naturalist Charles Waterton and his famous taxidermic collection. Waterton’s specimens were not interpreted in isolation. Firstly, they were (...) experienced as components of a larger visiting experience, in which travelling to the Hall, being admitted to the grounds, viewing the park, and meeting the owner, were all just as significant as seeing the specimens themselves. Secondly, they were interpreted in conjunction with familiar stories and images relating to Waterton’s adventurous collecting activities. Visiting accounts can help us begin to recover what people thought about Waterton and his collection in the nineteenth century. Furthermore, in so far as they were responsible for a large part of his subsequent reputation, they can help us better understand our own, present-day conceptions of Charles Waterton and Walton Hall. (shrink)

In the nineteenth century natural history was widely regarded as a rational and ‘distracting’ pursuit that countered the ill-effects, physical and mental, of urban life. This familiar argument was not only made by members of naturalists’ societies but was also borrowed and adapted by alienists concerned with the moral treatment of the insane. This paper examines the work of five long-serving superintendents in Victorian Scotland and uncovers the connections made between an interest in natural history and the management of mental (...) disease. In addition to recovering a significant influence on the conduct of several alienists the paper explores arguments made outside the asylum walls in favour of natural history as an aid to mental health. Investigating the promotion of natural history as a therapeutic recreation in Scotland and elsewhere reveals more fully the moral and cultural significance attached to natural history pursuits in the nineteenth century. (shrink)

Displays of dead nonhuman animals are a common sight on the walls of many American homes and commercial establishments. Taxidermists are the individuals who preserve and attempt to re-create dead animals, birds, and fish so they can be displayed. Little is known about those employed in the profession, including characteristics of individuals who enter this line of work. Using a qualitative approach to data collection, this exploratory research examined motivations for becoming a taxidermist in Montana. Findings suggest that Montana taxidermists (...) entered the profession for one of five main reasons: an interest in wildlife, a desire to mount their own trophies, a hobby that became a job, the necessity of changing jobs, and miscellaneous motivations. (shrink)