In this paper I defend the view that Berkeley endorses a spirit-idea dualism, and I explain what this dualism amounts to. Central to the discussion is Berkeley's claim that spirits and ideas are "entirely distinct." Taken as a Cartesian real distinction, the "entirely distinct" claim seems to be at odds with Berkeley's view that spirits are substances that support ideas by perceiving them. This has led commentators to deflate Berkeley's notion of "entire distinction" by reading it as analogous to the (...) categorical distinction between substance and accident. I argue that rather than taking Berkeley's notion of "entire distinction" in either of these ways, it ought to be understood as insisting upon a radical dissimilitude between spirits and ideas. This dissimilitude requires that ideas cannot be viewed as analogous to modes or accidents which inhere in a substance. Moreover, spirits and ideas cannot be understood in terms of a single, gradated scale of reality. Instead, for Berkeley spirits and ideas occupy two entirely different scales of reality and consequently the very term 'thing' applies to them in different senses. In this way, Berkeley endorses a severe dualism that occurs at the highest level of his ontology. En este trabajo defiendo que Berkeley sostiene un dualismo espíritu-idea y explico qué significa tal dualismo. Es central en la discusión la afirmación de Berkeley que los espíritus y las ideas son "totalmente distintos". Considerada como una distinción real cartesiana, la tesis "totalmente distintos" parece estar en tensión con la concepción de Berkeley de que los espíritus son sustancias que "support ideas by perceiving them". Esto ha llevado a los comentadores a disminuir la noción de Berkeley de "distinción total" leyéndola como un análogo a la distinción categorial entre sustancia y accidente. Yo argumento que en lugar de considerar a la noción de Berkeley de "distinción total"en alguno de esos modos, debe ser comprendida como insistiendo en una radical diferencia entre espíritus e ideas. Esta diferencia requiere que las ideas no se vean como análogas a modos o accidentes de la sustancia. Además espíritus e ideas no pueden ser entendidos en términos de una única escala graduada de realidad. En cambio para Berkeley espíritus e ideas ocupan dos escalas totalmente distintas de realidad y en consecuencia, el término mismo "cosa" se aplica en sentidos distintos. De este modo, Berkeley sostiene un dualismo severo que acaece al más alto nivel de su ontología. (shrink)

Philosophy and Literature is an internationally renowned refereed journal founded by Denis Dutton at the University of Canterbury, Christchurch. It is now published by the Johns Hopkins University Press. Since its inception in 1976, Philosophy and Literature has been concerned with the relation between literary and philosophical studies, publishing articles on the philosophical interpretation of literature as well as the literary treatment of philosophy. Philosophy and Literature has sometimes been regarded as iconoclastic, in the sense that it repudiates academic pretensions, (...) insidious jargon and institutional vogue. Dutton, who remains the editor, still writes a regular column. A distinctive feature of Philosophy and Literature was the annual Bad Writing Contest, held from 1995–98, which sought to identify (and publish) the ‘most stylistically lamentable passages’ of academic prose, often to great amusement. (shrink)

Berkeley holds that objects in the world are constituted of ideas. Some commentators argue that for Berkeley, ideas are identical to acts of perception; this is taken to proceed from his view that ideas are like pains. In this paper, I evaluate the identity claim. I argue that although it does not follow from the pain analogy, nonetheless the texts suggest that Berkeley does think ideas and acts are identical. I show how Berkeley can account for objects persisting over time (...) and being perceivable by multiple observers, even if the ideas that constitute them are intermittent and dependent on particular actors. (shrink)