This article is a computational enquiry into the different ways in which two words, assumed to be central to the eighteenth-century concept of aesthetics, were used across that century. Using word co-association measures designed specifically for this study, I show the markedly different lexis that surrounded the words ‘beauty’ and ‘beautiful’ in three decades of historical textual data from Eighteenth-Century Collections Online. Having demonstrated that these words were used in very different semantic contexts in the beginning, middle, and end of (...) the century, the article presents semantic network diagrams which further demonstrate the distinctness of noun from adjective. I argue that while ‘beautiful’ is suspended in a semantic space that is recognizably aesthetic, ‘beauty’ is not. Furthermore, that which is deemed ‘beautiful,’ according to the evidence presented here, presents something of a challenge to received narratives of how the concept of aesthetics developed throughout the eighteenth century. (shrink)

Rudolf Eisler’s Dictionary of Philosophical Concepts and James Mark Baldwin’s Dictionary of Philosophy and Psychology show that, until the first two decades...

The structure of the next three chapters owes much to Kant's four great definitions of ‘beauty’ found with his Critique of Judgement, in the ‘Analytic of the Beautiful’ (1952, §§1–22). The first pa...

This text is the introduction of the special issue “Rhythm in social interaction” edited by Chiara Bassetti and Emanuele Bottazzi in Etnografia e Ricerca Qualitativa, vol. 8, n. 3, December 2015. We thank Chiara Bassetti, Emanuele Bottazzi and the journal Etnografia e Ricerca Qualitativa for the permission to republish it. But, friend, when you grasp the number and nature of the intervals of sound, from high to low, and the boundaries of those intervals, and how many scales arise from them, (...) - Anthropologie – Nouvel article. (shrink)