Rahel Jaeggi’s theory of alienation has received less attention than her work on forms of life and capitalism. This theory avoids the problems of traditional theories of alienation: objectivism, paternalism, and essentialism. It also sidesteps post-structuralist criticisms of the theory of alienation. However, Jaeggi’s theory is flawed in two ways: it is not historically specific, and so cannot explain why alienation is a problem for modernity rather than other historical periods, and it is difficult to connect to social critique. I (...) argue that Karl Marx’s later theory of alienation, as interpreted by Moishe Postone and others, is able to avoid the problems that Jaeggi’s theory avoids, and is also able to avoid the flaws in her theory. This suggests that critical theory should focus on a theory of capitalism rather than normative social theory. (shrink)

In this article, I argue for the necessary organicism of immanent critique and the resulting limits and applicability of immanent critique as elaborated in Rahel Jaeggi’s account of Lebensformen. Through a historical review of the problem of natural purposiveness between Kant, Schelling and Hegel, I show that the notion of immanent critique that Hegel produced, and Jaeggi adopts, was an intrinsically organic notion. With this conceptual connection, I demonstrate that Jaeggi’s elaboration of Lebensformen is consistent with this organicism, but also (...) explicate how this property limits critique where the criterion is the long-term stability of Lebensformen. Aligning the organicism of immanent critique with similar projects of social criticism citing the organic, namely eco-Marxism and cybernetics, I show that the cases of capitalism and bureaucracy are not practically vulnerable to immanent critique without supplement. I conclude by suggesting further research requires articulating a hybrid external-immanent form of criticism. (shrink)

A rejoinder to comments by Marco Solinas, Giorgio Fazio, Alessandro Pinzani, Italo Testa, Federica Gregoratto, Leonardo Marchettoni and Matteo Bianchin in this Special Issue of Critical Horizons.