By critically analyzing the status and differentiation of bodies and their lives, the author expands the vision of governmentality beyond the West in order to define the body beyond the pacified techno-promises of their emancipation through fragmentation, calculability and programmability. By elaborating the nature, power, and promises of dominant digital technologies and technobodies, the author conceptualizes them in relation to the shift between bio- and necropolitics/power and in relation to violence, (digital) coloniality, and racialization to which bodies are exposed. It (...) is about the normality of violence against the Other, also in relation to the principle of separation of virtual bodies and “surplus flesh,” which increases exponentially with technological development. The author seeks to understand how we have come to the point where techno-objects are humanized, given agency, while the body and life of the Other are dehumanized, deprived of any rights. The article contextualizes and re-politicizes the shifting relations between subject and object, particularly within our forensic contemporaneity. (shrink)

Biopolitics and necropolitics have used animals as a concept to illustrate a particular human biopolitical situation, much in the “tradition” of Aristotle’s provisional biopolitics. In the Western context, not only our understanding of politics but also tropology and the conceptual apparatus itself are haunted by this ancient legacy, which underlies a vertical ontology tied to processes of spatialization and containment, a vertical ontology that enables an intelligibility of figurative translation. The article considers tropological systems as systems embedded in particular forms (...) of governmentality, forms of the violent administration of life and death. To show how certain bodies are marked as animal or animal-like and used in the (metaphorical) processes of exclusion/inclusion, it focuses on Giorgio Agamben’s thoughts on Carolus Linnaeus and Zakiyyah Iman Jackson’s analysis of metaphorics in the most recent (r)evolutionary theory, symbiogenesis, developed by Lynn Margulis. Moreover, to radically disturb the graduated ontological premises of traditional stylistics and tropology, we move beyond existing conceptualizations of the body and the sovereign, all of which are based on de-borderization, intersections, movements, and transfigurations. (shrink)

The article examines Tania Bruguera’s works 10,148,451 (2019, Tate Modern, UK) and the three versions of Tatlin’s Whisper #6 (2009 and 2014, Havana; 2015, Tate Modern). Thinking with Achille Mbembe’s work on necropolitics, Lauren Berlant’s on “slow death,” and Michel Foucault’s on biopolitics, Paramana suggests that 10,148,451 addresses the collective subject and critiques contemporary necropolitics, while the versions of Tatlin’s Whisper #6 address individuals as political subjects, and comment on the panoptic gaze and contemporary biopolitics. Through her analysis of these (...) works, Paramana shows how Bruguera’s work is created to comment on the specific political economies in which it is presented, how the perception of the work’s politics differs when presented in different political economies, and the insights therefore the work might offer to them. Paramana argues that Bruguera’s work has often achieved more than local and national governments and that her “symbolic work with activist parameters” is surprisingly more efficacious than her activist work. The article concludes with the insights Bruguera’s work offers for the future of bodies in the 21st century. (shrink)