The main hypothesis of the article is that there has been an attitude change in the field of pragmatics: the philosophical notion of intentionality has penetrated in a cognitive approach. The first aim is to argue for this attitude change via analyzing classical pragmatical writings (works of J. R. Searle and H. P. Grice) and the relevance- theoretical approach of D. Sperber and D. Wilson. The second aim is to argue for the legitimacy of the attitude change by presenting a (...) new direction of research within the field of cognitive pragmatics. The author summarizes Dan Sperber's metarepresentations-first hypo-thesis about the evolution of ostensive-inferential communication, identifies its implicit presuppositions and analyzes its implications for evolutionary psychology and other related disciplines. The conclusions are the following: (1) the philosophical notion of intentionality play an important role in cognitive pragmatics as well (i.e. it uses the Gricean concept of non-natural meaning, and the Searleian distinction of first- and second-order intentionality), (2) the attitude change has enriched the notion of intentionality, (3) this enrichment makes new research directions possible in the field of pragmatics. (shrink)

It is now more than twenty years since Knight (1987) first presented his paradigm-shifting theory of how and why the ‘human revolution’ occurred — and had to occur — in modern humans who, as climates dried under ice age conditions and African rainforests shrank, found themselves surrounded by vast prairies and savannahs, with rich herds of game animals roaming across them. The temptation for male hunters, far from any home base, to eat the best portions of meat at the kill (...) site — as do other social carnivores — called for strong measures from human females, who were paying the heavy metabolic and physical costs of bearing large-brained but helpless children. Even in the modern west, with well stocked supermarkets, a pregnant or lactating woman can lose ten percent of the dry weight of her brain, because developing babies demand dietary lipids for brain growth (Horrobin, 1998). Hence the idea of the menstrual sex strike, designed to force males to deliver their kills entirely into the hands of women for cooking and distribution—a practice common in foraging communities to this day. (shrink)

In this paper we investigate how the dynamic nature of words’ meanings plays a role in a philosophical theory of meaning. For ‘dynamic nature’ we intend the characteristic of being flexible, of changing according to many factors (speakers, contexts, and more). We consider meaning as something that gradually takes shape from the dynamic processes of communication. Accordingly, we present a draft of a theory of meaning that, on the one hand, describes how a private meaning is formed as a mental (...) state of individual agents during a lifetime of experiences, and, on the other hand, shows how a public meaning emerges from the interaction of agents. When communicating with each other, agents need to converge on a shared meaning of the words used, by means of a negotiation process. A public meaning is the abstract product of many of these processes while, at the same time, the private meanings are continually reshaped by each negotiation. Exploring this dynamics, we have been looking at the work done by computer scientists dealing with problems of heterogeneity of sources of information. We argue that a suitable solution for both disciplines lies in a systematic characterization of the processes of meaning negotiation. (shrink)

The question is what are the preconditions for being able to rephrase visual objects in propositional form and consequently in argumentational terms. The idea is to identify the fundamentals of a linguistic-semiotic analysis of visual objects, which rest on philosophical notions in logic, linguistics and aesthetics.

In order for visual objects to be fully integrated in argumentation studies, we should be able to show how some visual objects can be part of a rational communication process and be analyzed as part of rational activity, where audiences reason their way to intentions and beliefs via their recognition of the arguer's intention to produce such results. This paper will focus on the way to enable the embedment of some visual objects in argumentation theory.

In this paper, I present the beginnings of a resemblance theory of representation. I start by surveying the contemporary philosophical debate surrounding musical representation and reveal that its main interlocutors share a conception of artistic representation as a mode of meaningful communication. I then show how conceiving of artistic representation in this way severely limits music’s possibilities as a medium for representation. Next, I propose an alternative conception of representation that, despite its widespread acceptance outside of the philosophy of art, (...) has been largely denigrated within it: namely, that representation fundamentally depends on structural resemblance. Finally, I demonstrate how conceiving of artistic representation as grounded upon structural resemblances, rather than as a mode of meaningful communication, provides us with a more accurate picture of both (a) how music represents and (b) how we perceive and appreciate musical representations. (shrink)