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  1. Emotion networks across self-reported depression levels during the COVID-19 pandemic.Aoife Whiston, Eric R. Igou & Dónal G. Fortune - 2022 - Cognition and Emotion 36 (1):31-48.
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  • No more than discomfort: the trauma film paradigm meets definitions of minimal-risk research.Melanie K. T. Takarangi, Reginald D. V. Nixon & Nadine S. J. Stirling - 2023 - Ethics and Behavior 33 (1):1-17.
    ABSTRACT Despite Institutional Review Board concerns about psychological harm arising from research participation, evidence from trauma-questionnaire research suggests that participation is typically well-tolerated by participants. Yet, it is unclear how participant experiences of in-lab trauma simulations align with IRB ethical guidelines. Thus, we compared reactions to a trauma film paradigm with reactions to a positive film task or cognitive tasks. Overall, relative to other conditions, the trauma film was well-tolerated by participants: they generally reported low-to-moderate negative emotions, moderate benefits, and (...)
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  • Affective forecasting and self-rated symptoms of depression, anxiety, and hypomania: Evidence for a dysphoric forecasting bias.Michael Hoerger, Stuart W. Quirk, Benjamin P. Chapman & Paul R. Duberstein - 2012 - Cognition and Emotion 26 (6):1098-1106.
    Emerging research has examined individual differences in affective forecasting; however, we are aware of no published study to date linking psychopathology symptoms to affective forecasting problem...
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  • A standardised database of Chinese emotional film clips.Yan Ge, Guozhen Zhao, Yulin Zhang, Rebecca J. Houston & Jinjing Song - 2018 - Cognition and Emotion 33 (5):976-990.
    ABSTRACTFilm clips are widely used in emotion research due to their relatively high ecological validity. Although researchers have established various film clip sets for different cultures, the few that exist related to Chinese culture do not adequately address positive emotions. The main purposes of the present study were to establish a standardised database of Chinese emotional film clips that could elicit more categories of reported positive emotions compared to the existing databases and to expand the available film clips that can (...)
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