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  1. Sa skya Paṇḍita’s Classification of Arguments by Consequence Based on the Type of the Logical Reason: Editorial Conundrum and Mathematics for Commentators.Pascale Hugon - 2018 - Journal of Indian Philosophy 46 (5):845-887.
    This paper examines a passage of the eleventh chapter of the Rigs gter of Sa skya Paṇḍita on the division of arguments by consequence of the form “Because S is P, it follows that it is Q” with respect to the type of relation between P and Q. This passage appears in quite different versions in several available recensions of the Rigs gter, all of which are problematic to some extent. The different interpretations of the commentators can be shown to (...)
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  • Non-Conceptuality, Critical Reasoning and Religious Experience: Some Tibetan Buddhist Discussions.Paul Williams - 1992 - Royal Institute of Philosophy Supplement 32:189-210.
    The Dalai Lama is fond of quoting a verse attributed to the Buddha to the effect that as the wise examine carefully gold by burning, cutting and polishing it, so the Buddha's followers should embrace his words after examining them critically and not just out of respect for the Master. A role for critical thought has been accepted by all Buddhists, although during two and a half millennia of sophisticated doctrinal development the exact nature, role and range of critical thought (...)
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  • A treatise on buddhist epistemology and logic attributed to klong Chen Rab 'byams pa (1308–1364) and its place in indo-tibetan intellectual history. [REVIEW]Leonard W. J. Van der Kuijp - 2003 - Journal of Indian Philosophy 31 (4):381-437.
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  • Text Re-use in Early Tibetan Epistemological Treatises.Pascale Hugon - 2015 - Journal of Indian Philosophy 43 (4-5):453-491.
    This paper examines the modalities and mechanism of text-use pertaining to Indian and Tibetan material in a selection of Tibetan Buddhist epistemological treatises written between the eleventh and the thirteenth century. It pays special attention to a remarkable feature of this corpus: the phenomenon of “repeat,” that is, the unacknowledged integration of earlier material by an author within his own composition. This feature reveals an intellectual continuity in the tradition, and is found even for authors who claim a rupture from (...)
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